Why have some amps an effects loop (send & return)?

Why have some amps an effects loop (send & return)?

The effects loop, in short FX-loop is very useful in specific situations.
It’s two jack connectors on (mostly) the back of many guitar amps, labeled “Send and Return”.
We’ll explain which effects pedals you should place inside or outside the FX-loop, and why.

What is the advantage of an FX-loop?

The main advantage of an FX-loop is that it enhances the sound of some of the effects pedals.
It is especially noticeable with modulation and time-based effects placed within the loop.
These effects aren’t colored by the preamp, resulting in a clearer, more defined sound.
Would you prefer a tube amp and want to know how tube amps work, check this blog about tube amps.

Where in the amp is the FX-loop located?

The FX-loop in a guitar amplifier is located between the preamp and the power amp.
It’s designed to activate effects after the preamp, but before the power amp. This is important because certain effects—like delay and reverb—sound much better when applied after the gain (distortion).

Instead of placing your effects directly between your guitar and the amplifier’s input, you split the signal:

The preamp section provides the tone and distortion of your amplifier.
An FX-loop sends the signal to your effects and back again.
The resulting signal goes through the power amp and then to your speaker.

send & return fx-loop

Which effects should you place in the FX-loop?

We have a few tips here. No hard and fast rules. Use them to your advantage!

Within the FX-loop: modulation- and time effects

Place modulation effects like chorus, flanger, and phaser within the FX-loop.
These effects create a spacious sound that works best when applied to the amplified signal after the preamp.

Time-based effects, such as delay and reverb, are also placed in the FX-loop for this reason. This produces the most natural sound.

Before the FX-loop: gain effects

Gain effects, such as overdrive, distortion, booster, compressor and fuzz etc., are often placed before the preamp.

This is because they work best when applied directly to the unamplified signal. These effects can also give the amplifier’s preamp an extra boost and contribute to the overall tone of the amplifier.

Is modulation also time-based?

Yes, kind of.
Modulation feeds a slightly delayed copy of the incoming signal into itself and varies the size over time in short.

Time-based effects take the original sound and delay it. Often mixing it back with the original to simulate rooms, halls, or echoes etc. 

Compressors and equalizers?

Compressors and equalizers are mostly placed before the preamp to achieve a more reliable response.
However, equalizers are also placed within the FX-loop to specifically influence certain frequencies of the final signal.
For example, think of a mid-boost to help your guitar solo cut through the mix better.

Serial vs. parallel FX-loop

1. Serial FX-loop

This is the most common. The entire signal goes through the effects chain and returns.
The disadvantage: if an effects unit adds noise, you’ll hear it throughout the signal.

2. Parallel FX-loop

This mixes the dry (unprocessed) signal with the wet (effects) signal. This preserves the punch of your direct tone. This is especially useful with time-based effects like delay and reverb.

Not every guitar amp offers this option—some more expensive models do. With a parallel loop, you need to be able to set the effects to 100% wet to prevent phase issues.

Are there specific amps that provide FX-loops?

You really only need to use it if you’re getting your distortion from your amp itself (instead of a pedal) – it allows you to place effects after the amp’s distortion for a more natural reverb and delay sound.

No FX-loop for clean sounding amp?

Essentially, this means that if you keep your amp sounding clean, you don’t really need an FX-loop.

This is why, for example a Fender Twin Reverb doesn’t have an FX-loop, nor does the Deluxe Reverb Amp.

With these types of amps, all FX pedals go through both the preamp and the power amp.

How do you connect everything?

The guitar signal goes to one or more gain- effects and then to the input of the guitar amplifier.
The signal then goes through the preamp inside the amp and then out through the Send jack.
After passing through the modulation- and time-based effects, the signal returns to the amplifier via the amplifier’s Return jack.

The signal is further amplified by the power amp inside the amplifier, after which the final sound is heard.

The right guitar effects pedal order

You will find all information about this interesting topic in our blog about guitar pedals.

What else is important when you are looking for great sound

Please note that many many things are substantial for creating great guitar sounds. We cannot mention everything, but besides a good guitar it could be as follows;

Guitar amps explained

A good guitar amp, whether it is a solid-state or tube amplifier. Think of effects pedals, cables and guitar picks as well.
Want to know more about how tube amps work? And when you always wanted to know what “headroom” means, please read the Headroom special.

Guitar effects pedals explained

Not only the brand or type of pedals (buffered pedal or true-bypass), but the way you place them in the guitar effects pedals chain is important as well. As an example; Did you know this about compressor pedals?

Open- or closed back guitar speaker

Read about the advantages of those 2 types of guitar speakers. Both have a huge impact on guitar sound. More information about this will be explained here.

The right guitar picks

Many people think that a guitar pick is just a simple piece of plastic; the thinner & cheaper the better.
I thought exactly the same for probably 10 years since I started playing guitar. Until a certain moment I went experimenting with different materials and thicknesses.

Well, guitar picks make a huge difference on your sound and on your playing style.
Thicker picks have more mass and definitely sound different than thin flexible picks.
When using extra thick picks, you might want beveled edges for gliding on and off strings with less effort.

You may read the story of ChickenPicks guitar picks at the About page on our website and there you will also find information on all of our different models.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Product descriptions:

  1. Bermuda XL:
  2. Bermuda III-P:
  3. Badazz III:
  4. Bermuda III:
  5. Light:
  6. Regular:
  7. Shredder:

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly and americana.
Send us an e-mail and let’s talk about guitar tone and picks.

10 reasons why your guitar won’t stay in tune

Why won’t my guitar stay in tune? 10 reasons why

You happily tuned your (electric-) guitar, but within minutes it’s out of tune again.
In desperation, you almost wanted to cry: “Why won’t my guitar stay in tune?”
We have 10 answers to the reasons and to solve the problem.
Maybe you’ll solve the problem in a flash, or maybe your instrument is due for professional maintenance.

Either way, you will find the solution to all your tuning problems here.
But first off, we will tell about how to tune your guitar the easiest way.

Two Methods for Tuning Your Guitar

To start at the beginning, there are basically two ways to tune your guitar: by ear or with a tuner.

Tuning Your Guitar by Ear

Tuning by ear requires a fair amount of practice. You can use a reference note, such as a tuning fork or pitch pipe. How do you know which way to turn the tuners of your guitar?

If you were to look at a tuning peg from above, you usually turn it counterclockwise to raise the note. If the note then becomes lower, you turn it clockwise. It can take some getting used to depending on the guitar, as the configurations often vary. Many electric guitars have six tuners in a row on one side of the headstock, while other guitars, like most acoustic guitars, have three on each side.

Tuning Your Guitar with a Tuner

An easier and more accurate option is using a tuner. Because tuning with a tuner has nothing but advantages.
A clip-on tuner is the most accessible. But any sort of guitar tuner is OK, whether it is microphone- or jack-cable equipped.

Tuning your guitar with a tuner is not only the simplest but also the most accurate option.

Pluck a string, the tuner will indicate which note it is and if it is in tune. Try to play one string at a time, plucking it repeatedly to maintain a consistent tone, but not too hard.

Using moving lights, it will then indicate whether the string is too low, too high, or just in tune. You then turn the tuner in the correct direction until the tuner indicates the string is in tune.

10 reasons why your guitar won’t stay in tune?

Always tune before playing

A reason your guitar won’t stay in tune could be not having tuned it recently; Before you start playing, tune your guitar.
It’s not at all surprising that your guitar is no longer perfectly in tune the next time you play.
There’s quite a bit of tension on the strings. This is especially important with new strings: a new string needs some time to adjust to its position in the beginning. The wood of a new guitar also needs an adjustment period, and that affects the tuning.

Old, dirty strings

Another reason your guitar won’t stay in tune is due to old strings. Every time you play, your fingers leave a residue on the strings. Even ‘clean’ hands leave a little residue. If you wipe the strings with a cloth after each play, they’ll stay in tune for a little longer. Also, remember that strings become less tunable as they near the end of their lifespan.

New strings? Stretching

When your guitar won’t stay in tune it may be caused by new strings. If you’ve put a new set of strings on your guitar, make sure they’re properly stretched. Grasp a string and gently pull it upwards, along the entire length of the string.
Then, bring the stretched string back into tune. Repeat these two steps until the guitar string stays in tune, and continue until you’ve done all the strings.

Check if the strings are properly tightened

When your guitar constantly is out of tune, check if your strings are tightened properly.
When stringing your guitar, make sure you secure the strings properly. On the tuner side, use two to three turns to prevent the strings from slipping due to the high tension. The strings at the bridge also need to be properly tightened.

Shown above is the perfect way to wind your strings. With 2 to 3 turns, you will have the least chance of tuning problems.

The wrong way of attaching strings

Never wind your strings like this here below, because you will definitely have tuning problems when strings lie over each other.

The quality of the guitar

A reason why some guitars won’t stay in tune is simply because they’re cheaper.
More expensive models generally has better quality parts and materials. Higher-quality tuners, for example, keep your guitar in tune better.

The nut also affects tuning stability. Upgrading these parts can help. Cheaper guitars are often made of younger wood and less quality parts. Young wood still flexes relatively frequently, which affects the tuning.
Nuts made of cheap materials may cause tuning problems, as well as the the nut slots.

They ensure the correct string position, spacing, and height, which is crucial for tuning stability and playability.
Sometimes they are simply called slots or grooves.

New strings the same gauge as the old ones?

Do different gauges of strings affect the tunability of your guitar? Yes, it does and even as only the brand is different, there may be tuning problems.

For example, when your old strings were 0.09 and the new set is a 0.10-gauge set.
Now you need to intonate the guitar, which will be done by changing the the length of the strings. You need to move the bridge saddles forward or backwards. This need to be done by a professional, unless you are not a beginner at guitar.

Be careful not to skip the “intonation” process.
The guitar might sound in tune on open chords, but still be out of tune higher up the neck.
If you’re having trouble adjusting, or simply don’t feel comfortable doing it, contact an experienced guitar technician.

bridge saddles

Extreme temperature fluctuations and humidity

Try to avoid extremes in temperature and humidity in case you want to stay your guitar in tune.
Extremes in temperatures can cause the guitar’s wood to warp considerably, which affects its tuning.
If the environment feels comfortable to you, it probably does for your guitar too.
Therefore, never place your guitar near a radiator, in a damp room, or in a hot or cold car for extended periods. It’s also normal for your guitar to be a little harder to tune after transport. The wood needs time to adjust to its new environment.

Ideally, a humidity between 40 and 50% will be OK.

  • Too high? Place a dehumidifier in the room.
  • Too low? Place a humidifier in the room.

You can find (de-)humidifiers and humidity meters at home improvement stores.

Are the nuts and bolts tight?

Check all contact points and screw-connected parts. You want to make sure there’s no unwanted movement anywhere. Tighten the nuts, bolts, and screws by hand, so don’t overtighten;
This will prevent you from breaking anything or making it difficult to loosen later.

Check the glued parts

Does your guitar have a glued nut, neck, and/or bridge? To check the stability of each part, pluck your strings. Now listen for a difference in pitch when you move the relevant part. If you feel like you’re hearing too much pitch difference, but still feel a lot of movement when checking one of these glued joints, then release the tension on all strings and take your guitar to a luthier or technician with sufficient experience.

A guitar will never be perfectly in tune

Even if you’ve carefully followed all the points above, no guitar is perfectly in tune. You might have noticed that certain chords sound perfect, while others are just a little off. In short, this means that for perfect tuning, each note on each string should actually have its own fret, set at exactly the right pitch.

But instead, guitars have a compromise: one long fret for each position, resulting in minor imperfections in various places. We have to live with that, unless you want to pay for a guitar with “True Temperament” frets. Due to the level of this blog, we don’t want to dive deeper into this.

What else is important when you are looking for great sound

Please note that many many things are substantial for creating great guitar sounds. We cannot mention everything, but besides a good guitar it could be as follows;

Guitar amps explained

A good guitar amp, whether it is a solid-state or tube amplifier. Think of effects pedals, cables and guitar picks as well.
Want to know more about how tube amps work? And when you always wanted to know what “headroom” means, please read the Headroom special.

Guitar effects pedals explained

Not only the brand or type of pedals (buffered pedal or true-bypass), but the way you place them in the guitar effects pedals chain is important as well. As an example; Did you know this about compressor pedals?

Open- or closed back guitar speaker

Read about the advantages of those 2 types of guitar speakers. Both have a huge impact on guitar sound. More information about this will be explained here.

The right guitar picks

Many people think that a guitar pick is just a simple piece of plastic; the thinner & cheaper the better.
I thought exactly the same for probably 10 years since I started playing guitar. Until a certain moment I went experimenting with different materials and thicknesses.

Well, guitar picks make a huge difference on your sound and on your playing style.
Thicker picks have more mass and definitely sound different than thin flexible picks.
When using extra thick picks, you might want beveled edges for gliding on and off strings with less effort.

You may read the story of ChickenPicks guitar picks at the About page on our website and there you will also find information on all of our different models.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Product descriptions:

  1. Bermuda XL:
  2. Bermuda III-P:
  3. Badazz III:
  4. Bermuda III:
  5. Light:
  6. Regular:
  7. Shredder:

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly and americana.
Send us an e-mail and let’s talk about guitar tone and picks

Speakers and Ohms, is it important?

Speakers and Ohms, is it important?

4, 8, 16 Ohm(Ω) speakers and high or low impedance speakers… Wow…!!

If you’re playing guitar, you’ve undoubtedly encountered these terms.
These data will be found on the back of speakers (cabs) and amplifiers, but is it important?
I’ll explain what these things mean and what the numbers associated with it tell.

What does ‘Ohm’ mean?

Electrical resistance is expressed in Ohm. This is the simple definition of Ohm’s Law.

Ohm is the electrical resistance between two points of a homogeneous conductor when a constant current of 1Ampere flows between those points under a constant potential difference of 1 Volt.

So, what is the standard definition of Ohm’s Law

Ohm’s Law is a fundamental principle in electronics and electrical engineering.
It defines the relationship between three essential electrical quantities: voltage (V), current (I), and resistance (R).

Arithmetically it is as follows, Resistance = voltage/current.
Symbolically, this is R = V / I.

‘V’ = Voltage;
‘I’ = Ampere;
‘R’ = Resistance.

You can also recognize “ohm” by the symbol: Ω.
Often the letter U is used for Ampere instead of the I we are showing here.

Of course, I = V/R and V = I x R

What does impedance mean for amplifiers and speakers?

It means that the lower the resistance (R or Ohm) you find on the amplifier, the more power it can deliver to the speaker.
This means that if you have an amplifier that can deliver a certain amount of watts at 4 ohms and your speakers also have 4 ohms, you’ll get the most out of both your amplifier and speakers.
It also means that the headroom increases as the resistance decreases.

Is there a relationship between impedance and sound reproduction?

The sound produced won’t differ between 4- and 8-Ohm speakers.

Otherwise, if you connect an 8-Ohm speaker to a 4-Ohm amplifier, you’ll notice a half of the volume as when connecting 4-Ohm speakers.
This makes sense, because at 4-Ohm the amplifier can deliver its full power, and the speakers can then fully utilize this power.

Therefore, it’s important to match the amplifier and speakers as closely as possible in terms of impedance.

8 Ohms amplifier

What is the difference between connecting speakers in Parallel or Serial?

It’s important to understand these terms as you can definitely harm your amp using the wrong connectio.

In short for Parallel:

2 speakers (both 8-Ohm) connected in parallel results in a 4-Ohm total impedace.

This reduces half the resistance and increases the power draw.
It makes them louder but requiring an amplifier rated for at least a 4-ohm load.
The amp could be overheated and damaged when it is subjected to the greater load, while it only works at 8-Ohms (for example).

A mnemonic device for Parallel = Deviding (/) by the number of speakers (with 2 speakers rated as (8 Ohm / 2) = 4 Ohm)

In parallel ensures lower impedance, which provides:

  • More volume out of the speakers
  • May cause damaging the amp
Speakers connected in parallel.

Serial connecting speakers:

When connecting two 8-Ohm speakers in series, the total resistance is 16-Ohms.

The total impedance (resistance) becomes 16 ohms, effectively halving the power the amplifier. This results in a quieter sound but a safer load for amps not rated for lower impedances like 4 ohms

A mnemonic device for Serial = multiply (* or X) the number of speakers (with 2 speakers rated at (8 Ohm * 2) = 16 Ohm)

In serial ensures increased impedance, which provides:

  • Lower volume
  • Safer for the amp
Speakers connected in series

Calculation methods

There are calculation methods to calculate the configuration of speakers in Parallel or Series.
We will keep it simple in this blog.
You will find these methods on the internet when you want to dig deeper into calculations.

Budget vs. High-End Amplifiers

It’s also important to be aware that budget amplifiers sometimes have issues properly driving low-impedance speakers (4 ohms). Therefore, choose higher-end amplifiers if you want to drive 4-ohm speakers.
This way, you’ll be sure you won’t run into problems and you’ll get the most out of your system.

Simply choose an amplifier that delivers 8 ohms and speakers with the same impedance, which is very common in the world of guitar amplifiers, so you’ll find such combinations in every segment.

Connecting an external speaker to your amp or combo

Look for a good device when you like to add an extra speaker to your, let’s say 1 x 12″ combo.
This important as you definitely don’t want to harm your amp and wanted the best sound out of both speakers.

Several brands offer so called “cab mergers”.
With a cab merger you will be able to add speakers in both parallel or series, whatever you need.

On my Fender ’68 Custom Deluxe Reverb Amp I sometimes add an additional 1 x 12″ at 8 Ohm cabinet using the Palmer cab merger.

Cab Merger

As I definitely don’t want to connect in parallel, so I covered the parallel input jack.

cab merger

Other ways to make your guitar sound better.

How to make your guitar sound better is one of the things all guitar players deal with.
Every guitar player is on the search for better tone.
Especially for those who are new to guitar we wrote a blog about “how to make your guitar sound better”.

Related articles for you

Why you should consider thick guitar picks for better sound and comfort

You might be overwhelmed by the amount of different guitar picks.
Should you choose a thin or thick guitar pick?
In an easy to read blog we’ll let you know 9 reasons to consider thick guitar picks.

About ChickenPicks guitar picks

The reason for me to make my own picks was diverse.

Somewhere in the mid 80’s I played those famous red Nylon Scotty’s 0.60mm picks. I needed a better tone, so there was the need for a thicker pick, that wasn’t flexible.

At that time you only could find black Gibson Heavy picks and Dunlop 2.0mm (the purple one).
They sounded OK to me but the playability was bad. I had to work too hard, because I missed a well balanced pick.

I experimented with different materials, thicknesses and beveled edges etc. Read more about ChickenPicks guitar picks.

More about picks

Guitar pick sizes chart: compare different picks to each other

The history of guitar picks

These picks are so easy to play and your sound will be awesome

The best boutique picks on the market

Which small guitar picks will be worth checking out

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of,
especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly and americana.
Send us an e-mail and let’s talk about guitar tone and picks

The best lacquer for guitars

What is the best lacquer for guitars?

This is a question that may be answered different by many people.
One will say that Nitrocellulose lacquer is the best, while another disagrees on that.
So, is there a “best lacquer” for guitar? Maybe, maybe not…
Mainly guitars will be sprayed in Polyurethane lacquer or Nitrocellulose lacquer. Both are different ways of lacquer.

Is there a difference between Polyurethane- or Nitrocellulose lacquer?

Yes absolutely, polyurethane lacquer is highly resistant to chemicals, moisture and wear, which makes it perfect for heavy use. It can be applied in thinner- or thicker lays. While a thin coat allows good resonance, a thicker coat can inhibit it. 

Nitrocellulose lacquers aren’t resistant to a lot of chemicals, so you don’t want to use these lacquers when you need to protect your instrument to things from outside.

But when you need the guitar to look “new” for a long time, you should use these Polyurethane lacquers.

Is there a difference in sound between Polyurethane- or Nitrocellulose lacquer?

Yes, usually there is a difference in sound between these 2.
A Nitrocellulose finish mostly is softer and is usually sprayed in thin layers. This helps the guitar to sound more open, rich and more resonant.

Thick nitrocellulose finishes will choke the wood’s vibration more, which gives, let’s call it, a more neutral sound.

Pricewise

Polyurethane lacquers are typically cheaper than nitrocellulose lacquers due to its less labor-intensive apply.
Besides that, it cures faster and requires fewer coats.

According to this and definitely not willing to generalize, you may see cheaper guitars mostly with a Polyurethane finish, while more expensive guitar have Nitrocellulose finishes.

Verdict about the best lacquer for guitar

In general, if you want a great looking guitar and you want it to look it like new all the time and you play it “heavy use” style, you would choose a Polyurethane finish.

Well, looking for a great “open” sounding guitar, with lots of resonance and a scratch on it isn’t a problem? You would, in that case, choose for Nitrocellulose finish.

Other ways to make your guitar sound better.

How to make your guitar sound better is one of the things all guitar players deal with.
Whether you are new at guitar or an advanced player, everybody is on the search for better tone.
Especially for those who are new to guitar and want to know how to make the guitar sound better, we wrote a blog about “how to make your guitar sound better”.

Why you should consider thick guitar picks for better sound and comfort

You might be overwhelmed by the amount of different guitar picks.
Should you choose a thin or thick guitar pick?
Even though you are a beginner at guitar.
In an easy to read blog we’ll let you know 9 reasons to consider thick guitar picks.

About ChickenPicks guitar picks

The reason for me to make my own picks was diverse.

Somewhere in the mid 80’s I played those famous red Nylon Scotty’s 0.60mm picks. But I needed a better tone, so there was the need for a thicker pick, that wasn’t flexible.

At that time you only could find black Gibson Heavy picks and Dunlop 2.0mm (the purple one).
They sounded OK to me but the playability was bad. I had to work too hard, because I missed a well balanced pick.

So I experimented with different materials and thicknesses with beveled edges etc. Read more about ChickenPicks guitar picks here.

More about picks in particular

Guitar pick sizes chart: compare different picks to each other

The history of guitar picks

These picks are so easy to play and your sound will be awesome

The best boutique picks on the market

Which small guitar picks will be worth checking out

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of,
especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly and americana.
Send us an e-mail and let’s talk about guitar tone and picks

9 Gründe für dicke Plektren

Warum dicke Plektren (Picks) sinnvoll sind – besonders für Einsteiger

Gerade als Gitarrenanfänger:in kann die riesige Auswahl an Plektren ganz schön überwältigend sein.
Dünn oder dick? Flexibel oder fest? Rund oder spitz?
9 Gründe für dicke Plektren ist die Antwort auf dieser Frage.

In diesem Beitrag zeigen wir dir 9 Gründe, warum dicke Plektren – besonders von Anfang an – viele Vorteile haben können.

thick guitar picks

Wann gilt ein Plektrum als „dick“?

Die Stärke eines Plektrums wird in Millimetern (mm) angegeben und beeinflusst maßgeblich, wie es sich beim Spielen anfühlt und klingt:
– < 0,6 mm – sehr dünn: flexibel, ideal für Akkordspiel, aber wenig Kontrolle
– 0,6–0,9 mm – mittlere Stärke
– 0,9–1,4 mm – dick
– > 1,4 mm – extra dick (z. B. ChickenPicks beginnen bei 2 mm)

Bei ChickenPicks nennen wir unsere Picks zwar „leicht“ – das bezieht sich aber nicht auf das Gewicht, sondern auf das überraschend leichte Spielgefühl trotz der hohen Stärke. Viele Spieler-(innen) sind erstaunt, wie angenehm sich ein 2 mm dickes Pick anfühlen kann – wenn es gut ausbalanciert ist.

Dicke Plektren

9 Gründe für dicke Picks

  • Mehr Kontrolle

Ein dickes Pick gibt dir direkteres Feedback und reagiert präziser auf deine Anschläge – du hast einfach mehr Kontrolle über deinen Ton und dein Timing.

  • Besseres Spielgefühl

Viele Spieler-(innen) berichten, dass dicke Plektren beim Spielen sicherer in der Hand liegen und das „Herumflattern“ vermeiden, das bei dünnen Plektren schnell entsteht.

  • Sauberer Ton

Ein steiferes Pick sorgt für einen klareren, definierteren Klang. Gerade bei schnellen Soli oder präzisem Picking sind dicke Picks oft die bessere Wahl.

  • Weniger Kraftaufwand

Du brauchst beim Spielen weniger Druck.
Dadurch ermüdet deine Hand langsamer.

  • Langlebigkeit

Dicke Plektren nutzen sich deutlich langsamer ab – vor allem, wenn sie aus hochwertigen Materialien gefertigt sind.

  • Ideal für schnelle Läufe und Solospiel

Wenn du das Pick leicht schräg zur Saite hältst, gleitet es mühelos über die Saiten. Besonders bei Picks mit abgeschrägten oder polierten Kanten funktioniert das hervorragend – dein Spiel wird flüssiger und schneller.

  • Besserer Anschlag bei verzerrten Sounds

Gerade bei High-Gain-Sounds im Rock- oder Metalbereich kommst du mit einem dicken Pick viel besser durch den Mix. Der Ton wirkt direkter, definierter und aggressiver.

  • Mehr Dynamik – wenn du willst

Ein gutes dickes Pick reagiert trotzdem auf deine Dynamik. Du kannst sowohl sanft als auch kräftig anschlagen – das Pick lässt dir die Kontrolle.

  • • Soundkarakter

Dicke Plektren klingen oft voller, runder und durchsetzungsfähiger – besonders bei Einzeltönen. Wer das erste Mal ein Solo mit einem ChickenPick spielt, merkt sofort den Unterschied.

abgeschrägten Kanten

Bei Picks mit abgeschrägten Kanten funktioniert das hervorragend – dein Spiel wird flüssiger und schneller. Das ist 1 von 9 Gründe für dicke Plektren.

Das Material ist so wichtig

Die Materialwahl eines Picks beeinflusst nicht nur das Spielgefühl, sondern auch den Klang. Hier ein kleiner Überblick:

MaterialEigenschaftenKlangIdeal für
ZelluloidFlexibel, klassischHell, wenig SustainAkkordspiel, Anfänger:innen
NylonSehr weich und rutschigDünn, wenig KörperRhythmusgitarre, Strumming
DelrinEtwas steifer, griffigWeniger BassanteilSolides Allround-Material
AcrylHart, glatt, gleitet gutAusgewogen, klarLeadspiel, Soli
UltemSehr steif, langlebigDurchsetzungsstarkPräzises Picking, Metal
DuroplastExtrem hart und haltbarLaut, klar, „crispy“Anspruchsvolles Solospiel

Fazit: Qualität schlägt Quantität

Ein hochwertiges, dickes Plektrum kann dein Spiel auf ein neues Level heben – besonders wenn du Wert auf Kontrolle, Klang und Langlebigkeit legst.
Statt ständig neue dünne Picks zu kaufen, lohnt es sich, in ein langlebiges, gut verarbeitetes Exemplar zu investieren.

Wenn du mehr über unsere Geschichte erfahren willst – wie die Idee zu ChickenPicks 2010 entstand – und warum wir glauben, dass dein Pick genauso wichtig ist wie deine Gitarre: Mehr über ChickenPicks erfahren (auf English).

Kaufe dein ChickenPicks guitar picks in Deutschland bei:

Optimaler, rutschfester Halt für deine Gitarrenplektren

Obwohl viele Marken von Gitarrenplektren mit griffiger Oberfläche besten Halt versprechen, erfüllen sie letztendlich nicht die Anforderungen.
Jeder kennt das: Das Plektrum bleibt nicht so gut zwischen den Fingern, wie man es sich wünscht.

Gripperzz

Nach langem Experimentieren mit den besten Griffmöglichkeiten für maximalen Halt habe ich die Gripperzz entwickelt.
Gripperzz sind selbstklebende Sticker, die speziell für Gitarristen entwickelt wurden und den Plektren maximalen Halt verleihen.

Wir haben weitere blogs für Gitarristen, aber die sind jedoch auf Englisch.

Gitarren-Grundlagen:

In „Gitarren-Grundlagen“ schreiben wir über interessante Dinge, die jeder Gitarrist wissen sollte, insbesondere für Anfänger auf der (E-)Gitarre.
Wir gehen nicht zu sehr in Theorien oder technische Aspekte ein.
Im Internet finden Sie zahlreiche wissenschaftliche Dokumente zu allen möglichen Themen.

Über den Autor

Hallo, mein Name ist Eppo Franken und ich habe Mitte der 80er Jahre angefangen, meine eigenen Plektren herzustellen.
2010 gründeten meine Frau Jolanda und ich ChickenPicks Gitarrenplektren, weil wir sehen wollten, ob sie auch anderen gefallen.

Ich spiele seit 1980 Gitarre und meine Lieblingsmusik ist Country Chicken Picking sowie verschiedene Rockabilly- und Americana-Stile.
Schicken Sie uns eine E-Mail und wir sprechen über Gitarrenklang und Plektren.

How do tube amps work?

How do tube amps work

Many people ask themselves “how do tube amps work” in relation to a transistor (or Solid-State amp if you like) amp
It can be hard to understand how they work, but I will try to keep it simple.

To start with it, you have to understand that a tiny signal is created by your guitar’s metal strings to oscillate the pickups. Guitar pickups are a magnet wrapped with a coil of wire. Read more about Single coil- v.s. humbucker pickups.
Driving the amp speaker is basically the opposite of how the signal started: The speaker exists of a coil of wire moving within a magnet, which drives a speaker cone that moves air.
It may be interesting to learn about the difference between open- and closed back cabinets. And of course connecting the right speaker (Ohms & impedance like 4- and 8 Ohm) to your amp may prevent you for amp damage

What is the role of the tubes

The role tubes play is turning the quiet, tiny guitar signals into big sound.
There are various types of vacuum tubes, but in the guitar amp world, three types are most common:

  1. Preamp tubes
  2. Rectifier tubes
  3. Power amp tubes
How do tube amps work

Tubes shown above are typically used as preamp tubes. Please note that ECC83(S) is the European equivalent of the 12AX7.

How preamp tubes work:

When learning about how do tube amps work, you have to start with the preamp stages. Its job is to take the signal from the guitar and amplify it to a level that can drive the output section.
This is done in stages because the guitar signal is very weak.
The first tube (called V1) will take the guitar signal and amplify it by about 100 times before we do anything with it in the amp. This process repeats in the other preamp (V2, V3… etc.) tube positions as well.

How does a tube make a signal 100 times bigger?

The V1 tube has about 300V DC on its plate.  
The small guitar signal creates electrical movement on the screen of the tube, which causes movement on the plate. This gets significantly amplified due to its high-voltage potential.

Because these are still small signals, the tubes are small. A 12AX7-type tube has two sections. In this case, V1 can also be used as a second gain stage or the first stage for another channel input of the amp. Let’s call it multifunctional.

What does a rectifier tube do?

Rectifier tubes helps converting the AC from the wall into DC.

A rectifier is not some sort of transformer, but rather a device that converts alternating current (AC) to direct current (DC) using semiconductor devices like diodes or thyristors.
The amp’s power transformer only runs on AC, so it’s up to the rectifier tube to create DC, which is needed by the other tubes.
The tubes that we use in this part of our amp are specialty tubes, designed to do this one particular task and they’re are not interchangeable with preamp and power amp tubes.

Rectifier tubes usually do not affect the tone in your tube guitar amp.
Most commonly you will find a 5AR4/GZ34, 5U4, 5Y3 or EZ81 as tube rectifiers in guitar amps.

Rectifier tubes usually do not affect the tone in your tube guitar amp.

Most commonly you will find a 5AR4/GZ34, 5U4, 5Y3 or EZ81 as tube rectifiers in guitar amps.

Shown here on the right is a 5AR4/GZ34 which comes from a Fender Deluxe Reverb Amp

How do tube amps work

What do Power Tubes do?

Power tubes exist of a single stage inside.
They do more work than the preamp- and rectifier tubes. In fact, they’re the engine of the amplifier.

The power tubes drive the output transformer, which pushes the speaker cone to move air.
The overall function is the same as for the preamp tubes, but at a higher level.
Power tubes globally run at usually 400–500V DC; More voltage means more pedal to the metal.

The power tubes need a high-voltage DC to operate, but a speaker only needs 10–30V AC work properly.
The output transformer separates the AC guitar signal from the DC power supply.

So, in simple words we now know more about how do tube amps work.

What is the difference between all different power tubes in tone.

We all know the EL34, EL84, 6V6, and 6L6 tubes.
Each has its tonal characteristics and power output, of course in combination with the preamp tubes.

Key differences between EL34 / EL84 / 6V6 / 6L6:

  • EL34 is a power pentode, meaning it’s designed to handle a significant amount of power and has five electrodes:
    (cathode, control grid, screen grid, suppressor grid, and plate)
  • EL84 is a “medium” power tube and contains five internal elements: (cathode, control grid, screen grid, suppressor grid, and plate)
  • 6V6 is a beam power tetrode. This is a type of vacuum tube containing four electrodes: (cathode, control grid, screen grid and anode)
  • 6L6 is a tetrode, but with special “beam-forming plates”. The tone is more scooped than an EL34.
How do tube amps work

Typical power tubes. From left to right: EL84 / EL34 / 6L6

What is scooped tone?

A scooped tone is typically a sound where the mid-range frequencies are reduced.
The tone looks equalization wise “V-shaped”.
It is big, bold and heavy, with crisp highs and a thundering bottom-end.

What are the elements of power tubes?

  • Cathode: Emits electrons when heated.
  • Control Grid: The primary grid that controls the flow of electrons from the cathode to the anode.
  • Screen Grid: Positioned between the control grid and the anode, it’s held at a positive voltage and acts as an electrostatic shield.
  • Suppressor Grid: Kills secondary emission*. This effect can adversely affect the output of the tube. In order to get rid of this effect, another grid, the suppressor grid, is inserted between the screen grid and the plate.
  • Anode (Plate): Collects the electrons and forms the output of the tube. 

The difference between Pentodes and Tetrodes is as follows:

Pentodes have five elements: cathode, control grid, screen grid, suppressor grid, and plate. 
Tetrodes have four elements: cathode, control grid, screen grid, and plate. 

In general, EL34 and 6L6 tubes are typically used in higher wattage amps. Usually amps that are over 50 watts. 
EL84 tubes are used for lower wattage amps from 20 – to 30 Watts.
But EL84 have essentially the same sonic flavor/characteristics as EL34 tubes.

What means secondary emission*:

Secondary emission is when electrons pulled from the cathode, knocking other electrons off the plate.

Digging deeper on the specifications on all of this will go too far in my opinion.
So, if you want to know more specific details on Pentodes and Tetrodes, please check the internet.  

Do power tubes have to be paired

Yes, power tubes have to be paired (or matched) for optimal longlife- and balanced performance.

Matched tubes ensure that each tube in a pair (or quad) contributes equally to the amplifier’s output.
This leads to a more balanced and even sound.

When tubes are matched, they share the workload, preventing one from being overstressed.
You might be interested in our blog about the difference between a Solid-State- and Tube amps. In this blog you will read more specific information about tube amps as well.

Unmatched tubes can cause unevenness in the output, potentially leading to distortion and a less clear soundstage, especially in the bass frequencies. 

Proper Bias:

Many amplifiers require a specific bias setting for optimal performance. Matched tubes help ensure that the bias setting is correct for both tubes, leading to better performance and potentially longer tube life.

How to bring the best amps sound to the audience?

Of course, having a great amp (and tube amps may be preferred) is important besides a good guitar & effects pedals.
But placing the right microphone and placing it correctly in front of your speaker as well as the lacquer on your guitar and many other things will help to let you sound like a pro.

Tube namePower output (pair)Plate voltageFound in amps like
EL34< 30 – 50 Watt400 – 800 VMarshall, Hiwatt
EL84< 15 – 20 Watt300 – 400 VVox AC30 – AC15, Dr.Z Stang Ray, Dr.Z Z-Wreck
6V6< 12 – 20 Watt300 – 400 VFender DR amp, Princeton
6L6< 30 – 50 Watt400 – 500 VFender Twin Reverb, Bassman, Peavey 5150, Soldano SLO-100

Tonal characteristics

TubeTonal Qualities
EL34Aggressive mids, crunchy and punchy, tight low end, classic British rock/Marshall tone
EL84Bright, chimey, glassy highs, sweet compression, midrange sparkle — classic Vox “British Invasion” sound
6V6Warm, smooth overdrive, round highs, creamy breakup — vintage American low-watt tone
6L6Clean headroom, big low end, scooped mids, punchy and clear — classic American high-headroom sound (Fender)
How do tube amps work

6V6-S power tubes in a Fender Deluxe Reverb Amp, with on the far left a rectifier tube (5AR4 from Sovtek).

Usage in Music Styles;

TubeBest For
EL34Hardrock, classic rock, metal
EL84Indie, classic rock, blues, country (i.e. Brad Paisley)
6V6Blues, jazz, classic rock, country (i.e. Brent Mason)
6L6Clean genres (jazz, country), but also great for rock and blues when pushed

In short about preamp tubes

The 12AX7 and 12AT7 are usually used as preamp tubes.
Of course there some more like the EF86 etc.
Both are dual triode vacuum tubes, but they have different electrical characteristics.
This will affect how they behave in your amp.

12AX7100 (high gain)
12AT760 (moderate gain)

Shown above the preamp section of a Fender Deluxe Reverb amp. And in perspective of how do tube amps work, we will let you know what role these 3 different preamp tubes play in the amp.

V1 (12AX7) is the one far right. Drives the first and second gain stage of the standard channel.

V2 (middle and 12 AX7 as well). Drives the first and second gain stage of the vibrato channel.

V3 (12AT7) is the reverb driver tube. This tube is only in use in the vibrato channel

Impact in amps: The 12AX7 will produce more distortion and signal amplification than a 12AT7.
The 12AX7 is often used in preamp stages to drive tone and saturation.

12AX7 tubes: More gain = more overdrive, crunch, sustain, and compression. Classic preamp tone for rock/blues

12AT7: Cleaner, tighter sound with less distortion and slightly faster response. May sound more articulate but less “aggressive”.

Do preamp tubes also need to be paired?

No, preamp tubes generally do not need to be matched, unlike power tubes. 
Preamp tubes are wired in series, meaning they work independently and don’t interact with each other in a way that requires them to be matched for balanced operation.

Final thoughts on how do power tubes in tube amps work

EL34 vs 6L6: Both powerful, but EL34 has more aggressive mids (British), while 6L6 sounds cleaner and has a more scooped (American) tone.

EL84 vs 6V6: Both lower power; EL84 has more shimmer and compression, 6V6 is smoother and warmer.

Although the power tubes are the “engines” of your amp, the role of the preamp tubes absolutely is important as well.
They have a role in how much clean headroom your amp has, as they drive the power tubes.
Read more about what headroom means in guitar amps.

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar. In this blog we talk about “how do tube amps work”.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About ChickenPicks guitar picks

Actually we are a company that invents different types of guitar picks. For me it always has been interesting to understand more about (better) tone. This, including the need of finding picks that are more comfortable to play with, I started to learn about everything what may be helpful.

Learn more about ChickenPicks guitar picks.

About page
How to avoid pick noise
Guitar pick size chart
These picks are easy to play with
Guitar picks flexible
Thick guitar picks
Boutique guitar picks
Beveled guitar picks
Small guitar picks
Best guitar picks for acoustic
Best guitar picks for beginners

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken-picking and some kinds of rockabilly and americana.
Send us an e-mail and let’s talk about guitar tone and picks.

What is an attenuator

Attenuator

What is an attenuator

Tube amps, especially without “Master Volume” with wattage from 30 – 100 watts are very loud. And in a lot of cases too loud for home use or with gigs at smaller venues. Here comes the attenuator with its help. But what is an attenuator?

An attenuator for guitar amps is a device that reduces the volume of your amp (almost) without affecting tone.

Want to know more about tubes in particular? Check how do tube amps work or about connecting the right speaker to your amp; Speakers, Ohms and impedance, is it important?

Too much headroom

The above-mentioned amps may stay clean at higher volumes, while you probably like them to get a nice edge on the tone.
If you’d like to know more about headroom, please read our special about tube amps vs solid state guitar amps.

When you need more of an edge to your sound, the attenuator must be placed between the power amp and the speaker. With the attenuator you can turn up the volume and get that nice edgy sound.

Attenuator

Multi function Two Notes Torpedo Captor used as digital attenuator, but speaker simulator and DI as well.

Thanks to Remco Becker and Richard Hallebeek.

How it works:

Attenuators divert a portion of the amp’s power, dissipating it as heat or mechanical energy, rather than sending it to the speaker. This effectively lowers the volume without changing the amp’s overall sound. 

By using an attenuator, you can experience the amp’s full tone and dynamics at reduced volumes, making it easier to play at home without disturbing neighbors or causing excessive noise

Types:

Some attenuators are passive (using resistors to dissipate power), while others are active (using electronics to control the signal and power levels).

  • Passive ones: Just resistors or reactive loads; simple, reliable, but tone might suffer a bit at extreme settings
  • Active models: More complex, mimicking the dynamic load of a speaker, often more transparent and better sounding
  • Load Boxes with DI: These can replace your speaker entirely and send the amp’s signal to recording gear, PA systems, or IR loaders
dr z Airbrake Attenuator

Dr. Z Airbrake is a well known analog attenuator. Originally developed by Ken Fisher, who cooperated with Mike Zaite from Dr. Z.
Ken Fischer (1945–2006) was a renowned American amplifier designer and the founder of Trainwreck guitar amps.
A boutique amplifier company based in Colonia, New Jersey. He is celebrated for crafting some of the most exclusive guitar amplifiers in history. These amps (70 to < 100 amps made) may cost up to $ 100,000 and maybe more.

Cons.:

As said before, an attenuator won’t cause too much loss of sound, because the attenuator ensures that less signal is sent through the speaker.
Some of the overall tone comes from the speaker being driven.
When it is driven less, the tone of the speaker will change slightly.

Attenuator

Attenuator vs master volume

This is an often-heard tone debate! We will show you a breakdown between the 2. But first let me tell you more about the Master Volume on a guitar amp.

Master volume vs Gain

In a tube guitar amp with a master volume (MV), the master volume knob controls the overall volume of the amplifier.
The MV is situated after the preamp and before the power amp tubes.
This allows the player to overdrive the preamp for a desired tone without necessarily needing to turn up the overall volume to high levels.

Gain knob

The “gain” knob on the guitar amp generally controls the preamp section. The MV controls the power amp and thus the “overall” volume.

Built in device:

The MV always has been built in to the guitar amp, while an attenuator is an external device.

Attenuator or Master Volume

It’s always to your preferences whether you like to use an attenuator or not. Even when you have a master volume provided guitar amp, you might be interested in having an attenuator as well.
Checking upon a lot of guitar players, you will see the use of an attenuator more with people playing non MV amps.
Think of a Fender Twin Reverb Amp, a Dr. Z Stang Ray or many other amps for instance.

Not the same

Master volume and attenuator both are totally different devices. Both work in a different way.

Attenuators aren’t cheap

While master volume is in your guitar amp, it’s there at no extra cost.
Attenuators are mostly expensive and cost at least ca. $100 – 200 and not infrequently much more.

Verdict

Although there are several ways to lower the volume of your guitar amp, an attenuator is one of the options. And it’s probably the best option without losing too much of your tone.

Not every guitar shop will have some different models in stock. When you decide to look for an attenuator, you’d better check the internet for reviews etc.

Related articles for you

The cheapest and easiest way to improve your guitar sound

Of course you may want to improve your guitar sound with a lot of different devices. But in most cases this will cost a lot of money. And what sounds great at home, may not work properly on stage with a lot of noise from other instruments etc.

But it is always fun to buy pedals, new amps and anything related to improve your guitar sound.

The cheapest way to improve your playing and sound is to try different guitar picks.
When you started playing guitar, your guitar store may have advised you to start with a thin pick.

But which guitar pick will be the best for beginners?
Unfortunately thin picks do sound thin and will bend a lot, unless you will use thicker guitar picks.
When picks bend, there is a delay in your attack/tone and because they’re thin they may sound sloppy.

So why not try a thicker pick with beveled edges, which allow you to glide on- and off the strings very easily.
Both your playing style and sound will be improved and your picking is more precisely.

ChickenPicks guitar picks

More about picks in particular

Check the different picks we have.

  1. Bermuda XL
  2. Bermuda III-P
  3. Badazz III
  4. Bermuda III
  5. Light
  6. Regular
  7. Shredder

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly and americana.
Send us an e-mail and let’s talk about guitar tone and picks

Would you prefer a tube amp over a solid state guitar amp?

Gripperzz for guitar picks

Guitar picks with grip

Although a lot of brands of guitar picks with grip surfaces guarantee the best grip, they finally don’t stick to your needs.
Everybody has had the feeling more than once; your pick doesn’t stay between your fingers the way you want.


After a long time of experimenting with the best grip options for Max grip to guitar picks, I’ve come up with the Gripperzz.
Gripperzz are adhesive stickers especially made for guitar players to make your picks grip to the max as never before.

When you are looking for the best grip on your guitar picks, please read this story.

Monster Grips

There are some nice adhesive grip stickers available that improve grip for guitar picks and one of the best was called Monstergrips, but they went out of business a while ago.

Monstergrips were famous for their non-sticky grip and their ergonomic design.
Although the Monstergrips were a great product that we also sold in our store, I always made my own adhesive grip stickers for my own use.
Since Monster grips are out of business, many friends of mine asked me to make some of my home brew stickers for them. We got reviews from them and they encouraged me to make a brand of it, now called Gripperzz.

Works perfectly on both flexible- and heavy picks

Our new Max Grip adhesive stickers will help you to pick your strings better and more effortless, but the guitar pick itself has a role in comfort as well. Read here what is important when you’d like to know more about effortless picking.
The flexibility of guitar picks also influences playability and sound as well, even when using small- or boutique picks.

Round- vs pick model shaped grippers

While the Monster grips were exactly round, I preferred a slightly larger shape. And that is why I chose for the guitar pick shape. In my opinion it provides a little more grip surface for more comfort and non-slippiness.
Unlike all other adhesive grip brands, that use any standard non-slip material, Gripperzz are made especially for guitar players. You can recognize, actually, from the shape, that these grippers are guitar pick (351 model) shaped.

Gripperzz

Gripperzz the new #1 in pick grip

Finally, I found a way to produce my own soft grippers on a larger base, called Gripperzz, not Grippers 🙂
Although I produce these on a larger base, they’re still fully hand made. Other than cutting out some anti slip material and providing it with an adhesive back.
Our grip stickers are sized in a way that they fit on every pick, from small teardrop- and Jazz III picks to larger triangle picks.

Gripperzz is the new brand in adhesive grip stickers, exclusively hand made- and by guitar players and for guitar players.

Unique shape

The style of Gripperzz is unique in the shape of a 351-guitar pick. Because of this guitar pick shape, the grip is perfect on every pick shape available.
Most grip stickers are just round like a dot, which is OK, but due to the longer shape, Gripperzz deliver maximum pick grip.

You will get the best grip with guitar picks, when you hold them in the right way. Read more about how to hold a guitar pick in this blog.

Of course these stickers are perfect for both (bass-) electric- and acoustic guitars pickers.

Guitar picks for beginners

When you’re new to guitar and want to know more about guitar picks in general, please read our blog.

Horizontal ribs for perfect grip

The Gripperzz consists of soft horizontal rubber ribs, which provide some sort of ventilation.
Ventilation ensures fingers not to become too wet and when having sweaty fingers, the ribs easily wick away the moisture.

No slipping- and spinning picks

Because sweaty fingers are reduced to a minimum, the pick won’t slip away nor turn between your fingers. You also won’t struggle losing picks.

Even with thick boutique picks, which already have better grip than thin picks, Gripperzz fit your need for best pick grip available.

Less fatigue with guitar picks with grip

Because of the non-slip surface provided by rubber ribs, you don’t have to grip to your pick too tightly. Even when using thin guitar picks, these Gripperzz do their job perfectly. You never had better grip to your pick guitar picks than with Max pick grip by Gripperzz.

Gripping less firmly means that your forearm muscles (of your picking arm) are more relaxed. Because of the less tension in your picking arm, you are able to play longer and even faster with less effort.

Finally, this won’t cause discomfort and pain in the long run.

Gripperzz stay clean

Gripperzz will be delivering max grip to the guitar pick continuously and when they collect dust, just clean them with water and maybe some soap.

16 x Gripperzz per pack

Your favorite Gripperzz come in a pack of 16 pieces. One pack of these will ensure you a long time of superb gripping and guitar playing pleasure at the lowest price possible. Try the #1 pick grip stickers now.

Max pick grip Gripperzz

Best gripping guitar picks

Finally, Gripperzz are the ultimate guitar players gripping help for guitar picks.

They’re a must for all guitarists using picks, even when these are extremely thin or heavy.

Heavy picks, let’s say from 2.0mm and more usually deliver better grip than thin picks and even with extremely thick picks, Gripperzz will do their job perfectly.

Grip to the max!

More about ChickenPicks guitar picks

These are the picks I created in the mid ’80’s when I was 17-18 years old.
I needed a guitar pick that was rigid, but still provided good playability and sound.

The beveled edges, which did not exist with guitar picks back then, made it possible to let them feel like they were extremely thick, but flexible. I needed to feel a good balanced guitar picks between my fingers.

I noticed a much better sound than with the Dunlop-, Fender-, Gibson- and Scotty’s picks, which were the most popular picks in the ’80’s.
As a coincidence my own made picks also did last much longer than any other pick. And years later in 2010 we tried to sell our picks and the ChickenPicks guitar picks brand was born.

You might be interested in blogs about picks in general and boutique picks in particular:

Check the guitar pick sizes chart for the picks that suits you most.
Guitar pick sizes chart.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly and americana.
Send us an e-mail and let’s talk about guitar tone and picks

The right guitar effects pedal order

The right pedal order.

Did you ever wonder where to put that specific pedal on the pedalboard?
It really matters where you place effects pedals in the signal chain.
In this blog we will talk about the best place for effects pedal in the guitar signal chain.

The answer is simple: there is no right or wrong!

With all the different types of effects for guitar players, it may be hard to place every pedal in the right order. You definitely want to get the sound you like best.

As said, there is no wrong way to connect your effects in your signal chain. Each method can provide you with different sonic results. Though, what works for one person may not work for another.

How to make your guitar sound better

Of course, it’s not only the order in guitar effects pedals that determines the quality of guitar sound.
There are so many variables that are due to guitar sound. Think of which kind of tube- or solid state amp, or if you prefer an open- or closed back cabinet and learn what headroom means in an amp.
And referring to this blog, it can be interesting to know how to dial in pedals like the Compressor for instance.
Check out many of our Guitar Essentials blogs which focus on knowledge for anyone new to the guitar.

Besides the pedal order for achieving a better tone, you might also check if you’d use a FRFR-speaker cabinet instead of an analog cab. And of course whether you’d like to use humbucker pickups vs single coil pickups. Using the right speaker impedance (4-, 8 Ohms etc) may prevent your amp for damage.

Well, to explain the order of effects pedals in short, we’ll show you options in the “common guitar pedal order”.

Common guitar pedal order

Here are some common effect placement suggestions for pedalboard setups in general.

  • Tuner pedal at the beginning is preferred, so the signal from your guitar is clean from any effects whatsoever.
  • Dynamics (compressors), filters (wah), pitch shifters, and Volume pedals typically go at the beginning of the signal chain.
  • Gain based effects such as and overdrive/distortion pedals come next.
  • Modulation effects such as chorus, flangers, phasers typically come next in the chain.
  • Time based effects such as delays and reverbs work best at the end of the signal chain.
  • Volume pedals can go at the beginning or end of your signal chain. This provides slightly different functionality in different locations in your chain.

Check these setups used by most guitar players.

Set up 1

Volume pedal in the beginning of the chain

In set up 1 the volume pedal is placed near the beginning of the signal chain to control the volume level going to the other effects and the amplifier.  
This can be useful to clean up your signal by rocking back the volume a bit if you have the overdrive (after your Volume pedal) engaged.

Set up 2

Volume pedal after overdrive

This setup is the same as the first one above. However, the volume pedal moved after the Overdrive, right before the delay and reverb effects. This allows you to have full control of the volume of your signal right before the delay and reverb effects. This is useful for fading in a fully overdriven signal with nice overtones, without cleaning up the signal at lower volumes.

Effects Loops

Another way to set up your pedals is by placing (some of) them within the effects loop of your amplifier.

An effects loop is an audio input and output loop. It is placed after the preamp and before the power amp section of your amplifier.

Set up 3

  • Above only the delay and reverb effects are placed within the effects loop of the amplifier.
    This setup allows the sound from your amplifier’s preamp section to feed into these effects.  

Overdriven and distorted sounds generated by your amplifiers preamp, sound much clearer with delays and reverbs placed within the loop.

Set up 4

  • Now we have moved the volume pedal and modulation effects to the effects loop along with the time based effects. In this case the delay and reverb. Much like setup 1, you get a different sound from your modulation effects when placed after the amplifier’s preamp section.

Volume pedal vs volume knob on your guitar

It depends on where you put the Volume pedal. When putting it last in your chain before the amp, and turn it all the way up, you will get your full output as if the volume pedal was never there.

Does a Volume pedal clean up the signal?

Yes, but only when it has been placed before the overdrive pedals.

Time based effects, what does it mean?

Time-based in guitar pedals refers to effects that manipulate sound over a period of time. Typically delaying-, echoing-, or modulating the original signal in various ways.
These effects, including delay, reverb, chorus, and flanging, add depth, space, and movement to tracks.

True Bypass vs buffered guitar effects pedals

  • When a pedal is true bypass, the signal from your guitar passes directly through the pedal’s internal circuitry (i.e., the input and output are connected). It is not going through any part of the effect when the pedal is in off mode. This means the guitar signal remains clean and unaffected by the pedal when it’s off.
  • Buffered pedals have a buffered bypass, which basically means running the guitar signal through a tiny amplifier, often with no gain. The buffer may affect the tone a little bit.

To understand, please know that a guitar pickup output is a high impedance signal. That means capacitance in cables sucks tone out of a signal. The longer and shittier a lead is, the more capacitance it has.

What is the problem with True Bypass pedals

The problem comes when you use a lot of pedals (i.e. long cable runs): you connect pedal to pedal etc., and each pedal sucks a bit of tone even when the pedal is in off-mode (bypassed). Tone suck may be the problem. See the Tone suck test below.

True bypass means there’s no buffer. Sometimes that can be good, sometimes bad.
You really want a good buffer in the first pedal in your chain, so the signal is low impedance from there on.
After that, ideally you want a true bypass pedal. But it only becomes important if you use a lot of pedals and long cable runs.

More about tone suck in this blog.

Where to place the guitar tuner

As many tuners are buffered, a good place to start is first in line.
We mentioned it before, it would be good to have a buffered pedal as first in line of the chain.

There is no good or wrong where you like to place the tuner. There are people who place their tuner at the end.
Any interference from gain pedals etc. will be cut by using the tuner.

Using the tuner first in line may be good if you want to be certain that it is responding to the “pure” signal.
So, without any interference or modification from the subsequent pedals.

Optical differences bypass and buffered pedals

True Bypass pedals mostly have the clicking foot switch instead of larger platform switch. See image below.

True Bypass switch

Tone suck test

You can simply test if you have too many True Bypass pedals with no buffered pedals. In other words, your total length of cables is too long.

  1. Switch off all pedals
  2. Hit some nice chords or strings and listen.
  3. Now skip all pedals and plug your guitar into your amp directly.
  4. Hit some nice chords or strings again and listen.
  5. Did the last test sound better than the first? More volume? Richer tone?
  6. Yes: This configuration creates tone suck.
  7. No: (i.e. the same as before) Your pedalboard configuration is perfect in terms of True Bypass vs Tone suck.

Best guitar pick for beginners

Since we are a company specialized in boutique guitar picks, we would like to say that while the guitar, the amp and the effects pedals are important to let you play and sound better, guitar picks mostly are forgotten.

The world of guitar picks is huge and there is a guitar pick for everybody. Most beginners at guitar start with the simple and cheap guitar pick they got from the guitar store rep.

Better grip using pick grippers

Regardless the brand or shape of the pick, it remains important that your pick stays stable and does not slip or turn between your fingers. Gripperzz are specially designed for the best grip on your guitar pick. Gripperzz are small soft rubber grip stickers in the shape of a guitar pick.

Guitar picks absolute do matter in how you play and the sound you produce.

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly and americana.
Send us an e-mail and let’s talk about guitar tone and picks

Overtones and undertones in guitar sound

What are overtones and undertones in guitar sound?

If you play the note A on the high E-string (5th fret) on your guitar, this A would be (depending on tuning) 440 Hz.
This is called the main pitch frequency. It’s the easiest to recognize in the sound.
Also known as the fundamental frequency.

Besides this frequency, your guitar will produce many other frequencies, some of which will be higher (overtones).
This happens because besides the vibration of your string, you get the vibration of the instrument and vibrations of your string that you do not necessarily expect. In this case you might want to know more about the scale length of your specific guitar.

An overtone / undertone is a frequency in a sound that is different from the fundamental frequency.

Frequencies of guitar tone

We already know that the main pitch frequency of “A” is 440 Hz on a guitar.
That means one octave lower (G-string 2nd fret) the frequency is 220 Hz and the open A-string is 110 Hz.
Actually we are talking upside-down according to the schematic diagram below.
The 1/3 wave of the A-string can be found on the 7th position. Fretted this would be the note “E”.
According to the already mentioned frequencies within the A-string, 330 Hz is a logical result.
About this 330 Hz, more at “How to tune your guitar right” below.

Fundamental frequency

The fundamental frequency is the main frequency of the note. It is the most pronounced frequency in the instrument or vocal sound.

Overtones also known as “partial waves”

Overtones are important because they change the quality of the sound (the timbre of the sound) produced.
These overtones and (sometimes) undertones are the reason why different instruments sound differently even when they are playing the same note.

These tones are sometimes more pronounced, such as with brass instruments and toms, and sometimes less. Certain instruments produce overtones / undertones that are always present, called formants.
Formants are essential for the timbre of the instrument.

Formants

A formant is a frequency that an instrument or a voice always produces, independently of what note the instrument is playing.
Formants are important as their presence determines the timbre (the qualities) of the sound produced by an instrument.

Harmonic overtones

Certain instruments produce harmonics, which are nicely sounding overtones. An overtone or undertone does not have to be harmonic. Though it could be an inharmonic overtone as well.
Harmonic overtones are the frequencies of which are an integer multiple of the fundamental frequency.
For example: the harmonic overtones of “A” (440 Hz) are 880 Hz, 1320 Hz, 1760 Hz and so on.

Inharmonic overtones

Also known as “partial overtones” or “partial harmonics”, are overtones that are not an integer multiple of the fundamental frequency.
Digging deeper into inharmonic overtones may become very difficult and we advice you to check explanations on the internet.

How to tune your guitar right

Overtones and undertones

Now we are talking about harmonics for guitar, this is where it becomes interesting.
As you know, an open A-string on guitar is 110 Hz.
So playing a harmonic on the 12th position on the same A-string, which is half of the string, must be 220 Hz.
This is still the fundamental A-note.

Beware of tuning your guitar with the use of just harmonics

E-string harmonics
The frequency of the low E-string is 82 Hz, so the harmonic overtones for E are 82 Hz, 164 Hz, 246 Hz, 328 Hz and so on.
Harmonics played on the 5th fret on the E-string is 328Hz.

A-string harmonics
A harmonic on the A-string (7th fret) will produce 330 Hz (see schematic diagram). This is because it is part of the harmonics on the A-string.

So using both harmonics on the E- and A-string officially means there is a gap of 2 Hz.
In the first diagram you will see the * with = 330 Hz, which is because we don’t want to call this “E = 330 Hz“

Nobody will hear a difference of 2 Hz

Of course, the difference mentioned absolutely is negligible, so you won’t have a problem tuning your guitar this way.
But officially it is wrong.

Best way for tuning a guitar

  • Use a proper tuner for guitar. Many different brands make great tuners.
  • You might also find good online guitar tuners.
  • Play the harmonic on the 12th position, for example on the E-string and hit the E on the A-string at the 7th position (no harmonic in this case).

Tuner pedal place in the effects chain

The best place for a tuner pedal definitely is first in the signal chain. Most important reason for this is that you don’t want any interference from other pedals that may alter the tuning signal in any way.
That said, the guitar effects pedal order on your pedalboard is important for creating the sound you like most.
Read our blog about “the right pedal order”.

No undertones in a guitar tone?

Right, a sound wave cannot have a wavelength longer than twice the length of the string.
When you press down on a fret, you are determining the length of the string. The string will then vibrate in time at multiple frequencies corresponding to higher harmonics.

However, when you pluck a harmonic like on the 12th fret, you have some contribution from the open string vibration since you are not technically holding the string fixed.

What is the difference between overtone and the pitch?

An overtone is any resonant frequency above the fundamental frequency of a sound. An overtone may or may not be a harmonic.
In other words, overtones are all pitches higher than the lowest pitch/fundamental within an individual tone.
It is called the string’s fundamental, or first harmonic.

That said, it doesn’t matter whether you are using humbuckers or single coil pickups or using digital- or analog amps-/speaker cabinets as well.

Overtone in relation to octave

The string also vibrates in halves, producing a sound with twice the frequency (number of vibrations per second) of the fundamental. This tone—an octave above the fundamental—is called the first overtone, or second harmonic.

Are harmonics the same as overtones?

“Overtone” is any higher-frequency standing waves.
“Harmonic” is used for all integral multiples of the frequency of the fundamental.
Both overtone and harmonic are called resonances.

The Role of Overtones:

  1. Timbre: The specific mixture of overtones gives each instrument its unique sound or timbre. The guitar’s distinctive sound is largely due to its overtone structure.
  2. Harmonics: Guitarists can play specific overtones called harmonics by lightly touching the string at certain points, like the 12th, 7th, or 5th frets, and plucking the string. This action suppresses the fundamental tone and allows only the overtone to sound.
  3. Chord Resonance: When playing chords, the interaction of overtones from multiple strings can create complex sounds and contribute to the overall resonance of the chord, along the resonance of the guitar body and neck itself.

Understanding overtones helps guitarists to better control the sound of their instrument, whether they are aiming for a warm, mellow tone or a bright, resonant sound.

Timbre, Harmonics, Overtones and wave shapes

All sound is generated by vibrations. When objects vibrate repetitively and predictably our ears interpret the resulting pressure waves as tones or pitches – the sort of thing you could play a tune with.
Objects which vibrate in non-periodic and random ways generate waves which we interpret as being noisy or atonal.

Timbre is the quality of a sound that is distinct from pitch and intensity.
Different patterns of vibration produce sounds with different timbres.

In other words, a flute and a violin may play the same note, but the quality of the sound produced by each instrument is markedly different. The timbre of a sound is determined by the presence or absence of overtones and/or harmonics.

Pick noise may also affect your tone

The material of your guitar pick is made of and the way you hit your strings may cause overtones and/or harmonics. This means that your guitar pick has an influence on your tone.

Make your guitar sound better with the tips in this blog about guitar tone and use the right microphone technique when you need to amplify your guitar amp.

Thick guitar picks will help you achieving the guitar tone you are looking for.

Best guitar picks for beginners

When you’re new to guitar, you might want to know what is the best guitar pick for beginners;
In another blog we wrote, you may find all things that are interesting for starters and especially which ones are the best guitar picks for beginners.

Better grip using pick grippers

Regardless the brand or shape of the pick, it remains important that your pick stays stable and does not slip or turn between your fingers. Gripperzz are specially designed for the best grip on your guitar pick. Gripperzz are small soft rubber grip stickers in the shape of a guitar pick.

3 basic types of sound

In digital terms, we often talk about 3 basic types of sound wave.

  • The sine wave is a pure tone with no overtones.
  • A square wave is composed of a fundamental and odd harmonic of the fundamental.
  • A saw wave is composed of a fundamental and all harmonics of the fundamental. The fundamental is usually the loudest component of the signal, and the harmonics decrease in loudness as they increase in frequency.

Guitar essentials

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly.
Send us an e-mail and let’s talk about guitar tone and picks

Guitar compressor pedal, how to use.

Compressor for guitar

What is a compressor pedal?

To start with the most important question, what is it and how to use a compressor pedal for guitar actually?
A compressor controls the dynamic range of your instrument. Hard notes become softer and soft notes become louder.

A compressor protects against excessive peaks in your signal and ‘smears your sound a little more’. The FX-pedal glues different notes together and it may sound more ‘produced’ and sometimes also more professional with a compressor pedal. But you also give up something for this, namely the dynamics of your playing.

Finger on the knob

Believe it or not, before guitar compressor pedals existed, every radio station had a technician which held his finger on the volume knob, turning it up and down depending on the volume of the music broadcasted.
For radio broadcasts, it was important to tame the dynamic range of the music when it was too large. Otherwise, soft passages would be lost in noise and loud passages would cause distortion.

Replacing the technician

In the fifties, these technicians were replaced by the first dynamic range compressors.
Music producers soon discovered that compressors were much more than an automatic volume knob. They started using compressors because of their interesting side effects. The music got more punch, more focus and it became louder.

Guitar compressor pedal

A compressor pedal makes the life of a guitarist just a little bit easier. The notes come off your fretboard a little easier. You will have more sustain and your sound is a little fatter than without a compressor pedal. In this article I will explain how a compressor pedal works and what different types there are.

Nature of guitar sound

Clean guitar sounds have a lot of dynamics (i.e. peaks & valleys in recorded sounds).
The transients pop out.
The difference between those peaks and valleys may sound jarring or cause overload, depending on what you’re running your signal into.
On the other hand a piano has fairly even dynamics, while guitars are very transient-heavy instruments with relatively short sustain. This is simply the nature of guitars. This has nothing to do with uneven dynamics in playing.
A guitar compressor pedal’s purpose is to even out the guitar’s signal.

Less dynamics, more volume

Using a compressor will give you less dynamics and more volume without your guitar distorting. If your (bass) guitar gets lost in the mix, a compressor can offer a solution to make it more audible. A compressor works a little more subtly than increasing the volume on your amplifier or guitar.

Guitar compressor pedal: Funky rhythm and chicken pickin’ sounds

Furthermore, a compressor helps guitarists to play nice funk rhythm guitar parts. You create a sticky sound with it that also sounds very even. In country music you often hear a compressor in combination with a Fender Telecaster. Which chicken pickin’ part is actually played without compression? Finally, compression also adds sustain, which is very useful for solos, for example.

Guitar compressor pedal, how does it work?

Almost every compressor works in the same way. You set a certain threshold volume. If your signal exceeds this threshold, the compressor starts working.
Depending on the settings on your pedal, this happens quickly or slowly and with a certain value and for a certain period. The most commonly used buttons / setting options that you will encounter on guitar compressor pedals are listed below.

Ratio

This sets the amount by which you attenuate your signal. Common settings are 2:1, 4:1, 8:1 etc.
For example, 2:1 means that if your signal exceeds the threshold by 8 decibels, it will be reduced to 4 decibels above the threshold.
A ratio of 4:1 in this case means that your signal will exceed the threshold by an additional 2 decibels.

Most compressor pedals for guitar, like the Boss CS3, have fixed ratios. You are not able to choose the ratio in this case.

Threshold

The threshold control sets the volume level that forms the threshold for the compressor. Above this threshold, the compressor will start working, below it won’t.

On many guitar pedals, you will not find a threshold knob. This is often already set by the manufacturer and cannot be adjusted. By boosting the volume that the pedal goes into, you can still ‘control’ it.

Guitar compressor graphic

Attack

The Attack knob controls how quickly the guitar compressor responds to your signal. If you want to make sure that the beginning of your note, the transient, does not exceed the threshold, set a fast attack (knob all the way to the left).

For guitar, a slow attack often sounds a bit better because it does not lose the dynamics of the attack.

Release

The release knob controls how long the guitar compressor continues to do its work. A long release provides extra sustain in your sound. A short release time provides a more ‘pumping’ effect.

Sustain

Many modern guitar compressor pedals have a sustain knob. In most cases, this controls how hard the compressor works to keep the signal within the threshold. This allows you to let your notes resonate for a long time, but also increases the noise level. Sometimes you also set the ratio with it (Keeley Compressor Plus)

Guitar compressor pedal Blend / Mix knob

With parallel compressors there is a blend knob on the pedal. A parallel compressor splits the incoming signal into 2. One part goes directly to the output and the other part goes through the compressor. With the blend knob you mix the processed signal with the unprocessed signal.

Level / Volume

With the level knob you set the output volume level. The compression makes the guitar signal softer and with the level knob you adjust that again.

Soft knee / Hard knee

With the more luxurious pedals you sometimes come across a switch with which you set the ‘knee’. A soft knee means that there is a smooth transition from the signal to the compressor. With a hard knee, this transition is immediate.

Guitar compressor pedal: types and their differences

Roughly speaking, there are four different main types of analogue compression. Each type has its own sound and characteristics.

Optical

These compressors use a light bulb (or LED) to create changes in gain according to the incoming guitar signal. It then changes the gain by using the varying brightness of the bulb. So, more signal will force more compression. This method will soften the attack and release of the compressor meaning you won’t get any harsh compression artifacts in your signal.

FET

This stands for Field Effect Transistor which uses a special type of transistor to vary gain. They emulate vacuum tubes in the circuit and are quite similar to how an analogue amp can emulate a valve amp (without the valves). They are regarded as very fast compressors and don’t colour the signal as much as other compressors can. A good example is the famous Universal Audio 1176.

VCA

Voltage Controlled Amplifier is one of the most versatile compressors available. It can rapidly alter its gain level in response to different detectors analyzing the same signal. This is the one to go for if you want strict control over the signal and you can make it as fast and harsh or as gentle as possible.

OTA

An Operational Transconductance Amplifier compressor works similarly to a VCA, except that the output is a variable current and not a voltage. This type of compression is by far the most used in guitar pedals. It is not as fast as VCA but faster than optical compression. Well-known guitar pedals in this category are Wampler EGO, Xotic SP, Keeley Compressor Plus and the EHX Tone Corset.

Guitar compressor pedal: its place in the chain

You usually place a compressor pedal at the beginning of your signal chain, just before or after your gain pedals. If you connect the pedal before your gain pedals, you ensure that a limited dynamic signal goes to your overdrives.
If you connect the pedal after gain pedals, you make maximum use of the dynamics of your drives and compress the overdriven signal. There is no right or wrong way to do it, so I advise you to try both.
That said, the guitar effects pedal order on your pedalboard is important for creating the sound you like most.
Read our blog about “the right pedal order”.

Avoid “tone suck”!

This may occur when too many True Bypass pedals are used or when you simply run your signal through too long cables. Buffered pedals will help avoiding tone suck. Please check our blog about “tone suck” and learn how to get better sounds with just a few simple tips.

For our blog how to make your guitar sound better, click here.

What else should you pay attention to?

Every compressor will amplify the noise level in one way or another. No matter how quiet the pedal itself is, the signal that goes into the pedal will almost always contain some noise. This noise is further increased by compression.
That doesn’t have to be a problem, but it is something to take note of.

Will a compressor pedal affect the amount of headroom of your guitar amp?

Learn more about what “headroom” really means and if you prefer a closed or open cabinet for your style of playing.
In fact a compressor won’t affect the nice overtones your guitar produces in a bad way, of course depending how much compression your dial into.
A compression pedal could also be used to lessen too much volume when playing loud with a clean sound.
Guitar tones are known for having a large dynamics between peaks and valleys in tones.
When your amp is too loud for a given situation, you might be interested to use an attenuator to mute some of the sounds.

Bass guitar and compression is a happy marriage

Compression is also a particularly useful tool for bassists in the studio and on stage. It helps to give the very lowest notes more articulation and definition. It also tames the hard volume peaks in the signal. Compression makes the short notes punchier and the longer notes get a bit more sustain.

Compression and Tube amps

Do you need a compressor when using a tube amp? This totally depends on your taste.
The nature of tubes, especially when volume cranked up a bit is compressing the sound it delivers.

Due to their natural compression and harmonic distortion, tube amps also tend to sound warmer and more musical.
As said before; a compression pedal is most efficient with cleaner tones. Distorted tones already have more compression in them.

Want to know more about tubes in particular? Check how do tube amps work.
Beware of damaging your guitar amplifier by using the right speaker impedance (4-, 8 Ohms etc). It really is important to know more about this.

Want to know more about tube amps and solid state amps for guitar and their differences?

Click here.

Best guitar compressor pedal

There are now dozens of compressor pedals on the market. Every reputable brand sells one or even more.
Most pedals are based on the OTA circuit.

In this category from Keeley are the Compressor Plus and the Compressor Pro and for bassists the Bassist Limiting Amplifier.

Wampler has the Ego and a smaller version of this pedal, the mini-Ego.

Xotic SP guitar compressor pedal is a popular and much-sold compressor.

Electro Harmonix has a number of them, for both guitarists and bassists.

For guitar, among others, the Tone Corset, Platform and White Finger and for bass guitar the Nano Bass Preacher. JHS has the Pulp N Peel V4, Walrus Audio has the Deep Six Compressor V3 and JAM pedals the Dyna-ssoR.

Another great and reliable guitar compressor pedals should be the Boss CS3 and earlier ones like the CS1 and CS2.

About ChickenPicks guitar picks: more info.

Please check some of our other blogs or pages on our website:
Read about the idea behind our guitar picks and how guitar picks do change your playing and your sound.

The guitar picks sizes chart will let you know which pick matches your preferences most.

Beveled guitar picks make your guitar playing easier and thick guitar picks create a fuller tone with more dynamics.

Are you a fan of small guitar picks, or just larger boutique picks? Or are you looking for the best bass guitar pick?

We will help you out in one of those blogs, but you are always welcome to send us an e-mail to info@chickenpicks.com

Better grip using pick grippers

Regardless the brand or shape of the pick, it remains important that your pick stays stable and does not slip or turn between your fingers. Gripperzz are specially designed for the best grip on your guitar pick. Gripperzz are small soft rubber grip stickers in the shape of a guitar pick.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Thank you

We would like to thank www.musicradar.com for the use of the page banner in this blog.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly.
Send us an e-mail and let’s talk about guitar tone and picks

Mandolin picks

Mandolin picks

Mandolin picks have a big effect on sound and playability of your mandolin and your playing.
The best mandolin picks definitely boost your sound, speed and volume.

Mandolin picks are important for every mandolin player, because the pick is the direct connection between the musician and the instrument.
A mandolin pick must feel comfortable. You should not have too much focus on the pick, it just has to feel right.
Now you can focus on the song you like to play.

Picks absolutely make the difference in tone. The nice thing about picks is that in fact, they’re not too expensive, so you are able to test-drive several different picks.
You definitely can find a good picks for less than $ 15.00.

Mandolin picks Material

The material of the pick is important as you definitely should not want to play with softer materials like Delrin, Celluloid or Nylon. Softer materials don’t create the attack and pronounced clear tone you’re looking for. And of course, picks made out of softer materials do wear fast.
For more info on all different guitar pick materials, please check this page.

  • A good mandolin pick boosts your sound,
  • It will also be easier to gain speed and volume
  • Material of the pick is really important; the harder the better
  • Harder picks (1.5mm or thicker) will definitely sound better
  • Always have a bunch of picks available because you may lose them faster than you want

How to select your favorite mandolin picks

  • Try a bunch of mandolin picks, to see which one you prefer. You can easily do that at music shops or online.
  • If you’re taking lessons “ask your teacher”.

But the bottom line remains, you don’t know if a pick is good for you, until you try it.

Picks for mandolin

Mandolin picks for beginners

As a beginner there’s no point on buying an extremely expensive pick yet, especially if you have a habit of losing things.

You should wait till you develop more technique in your right hand, because then, subtle differences like picks can make a big difference.

For beginners, the only thing to remember it to get a hard pick, which means 1.5mm or thicker.

Handling Mandolin Picks

Mandolin picks are small and there is a chance you will lose yours, no matter how careful you are. So, it is always good to have a bunch of picks in your mandolin case so they are always good when you grab one.

ChickenPicks mandolin picks

Since there are no typical mandolin picks nor bass guitar picks or picks especially for guitar, there is a lot for you to choose from.

And of course, at ChickenPicks guitar picks we have several models that are used by many mandolin players worldwide.

You may check the whole range of picks on our website and find the one you like.

Read more about ChickenPicks guitar picks and the reason for me to make my own picks here.

Bermuda III & III-XL: perfect for mandolin

While all picks are useful for mandolin, there are some models that are used most as mandolin picks.
The Bermuda III picks have the classic triangle shape that is also called the 346 model available in 2.1 & 2.7mm.

The Bermuda III-XL 2.1mm is the same model, but larger.

Mandolin vs guitar

The mandolin is much smaller than the guitar, which can make it easier and more comfortable to hold. However, if you have larger hands, the small spaces between the strings and the frets can make it more difficult to play accurately.

Famous mandolin players you should listen to would be:

  • Chris Thile
  • Bill Monroe
  • Rhonda Vincent
  • Ricky Skaggs
  • Sierra Hull
  • Sam Bush

Mandolin tuning

Strumming- and picking wise a Mandolin would not be very difficult if you already can play guitar.

The problem may be in your fretting hand.

Guitars are tuned E-A-D-G-B-E, while a mandolin is tuned G-D-A-E.

So, the first 4 strings on a mandolin are tuned in mirror image compared to guitar.
This means that chords and all other things played on a mandolin are definitely different for guitar players.

For example, check the open G-chord on the first 4 strings for guitar and the same chord on mandolin; now you understand the difference.

Better grip using pick grippers

Regardless the brand or shape of the pick, it remains important that your pick stays stable and does not slip or turn between your fingers. Gripperzz are specially designed for the best grip on your guitar pick. Gripperzz are small soft rubber grip stickers in the shape of a guitar pick.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Conclusion

It takes more than a boutique pick to be a good mandolin player.
Just sit down and know what you would like to play and what sound you’re looking for.

The balance of the instrument, strings, set up, how to mic it, the pick and attitude is what makes it work. The player’s skill is the most important thing.

Without practicing, not even the best pick in the world will make you a good musician. So, grab your mandolin, play and have fun!

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly. I also play mandolin, but as a side instrument.
Send us an e-mail and let’s talk about guitar tone and picks

How to hold a guitar pick

How to hold a guitar pick

How to hold a guitar pick

People new to guitar, often ask us how to hold a guitar pick correctly. This is kind of basic for effective and comfortable playing.
Although there is no “exact” rule for how to hold a plectrum, it might be helpful to learn the basics.
We will teach you the step-by-step basics plus some extra useful information about guitar picks.

How to choose the right pick:

Beginners often find medium picks easiest to use, because due to the lack of knowledge in most music stores, extremely thin picks are recommended frequently.

In fact, we’re not a fan of flimsy cheap picks to start with on your carefully selected guitar. This is because thin picks can have a negative impact on your guitar playing.
Thick guitar picks, let’s say starting at ca. 2 mm have several benefits compared to thin picks.

To mention some benefits of thick guitar picks:

You might be interested in the 9 reasons to consider thick guitar picks.

The pick thickness (measured in millimeters) definitely has impact on the sound of the guitar.
Plectrums react differently with the strings based on the amount they bend and the hardness of the material.

Thin picks

Thinner picks create lower volume output and have a brighter sound with more treble.
The initial attack of a thinner pick is quite strong but fades quickly. In fact, you miss the full sound you expect.
Beginners may find it easier to start with thinner picks in the .73 to 1.00 mm range. But in any case, we advise you to test drive some different picks varying in different materials and thicknesses.

Another problem with thinner picks is the fact that they may bend easily. A pick that bends because of its flexibility, creates an unwanted delay in your playing.

boutique guitar picks

Thick picks

Thicker picks are more rigid, which translates to a warmer, louder sound with more mid- and bottom-end tones.
Thick picks (from around 1.5 mm and above) are popular with more advanced players and you’ll often see them in country, bluegrass, jazz, fusion and rock. 

Summary thickness

Ultimately, the thicker the pick, the more tonal control the player has.
Determining your preferred pick thickness comes down to experimenting with various picks.

Better grip using pick grippers

Regardless the brand or shape of the pick, it remains important that your pick stays stable and does not slip or turn between your fingers. Gripperzz are specially designed for the best grip on your guitar pick. Gripperzz are small soft rubber grip stickers in the shape of a guitar pick.

How to hold the guitar pick:

Place the guitar pick on top of your index finger with a little less than let’s say 6mm sticking out past the fingertip. The pick is sandwiched between the thumb and the side of the (curled) index finger.
The index finger should be behind the pick, supporting it.
The point of the pick should face the same direction as your finger, perpendicular to your hand.

How to hold a guitar pick correctly

Hold the pick firmly enough that it doesn’t slip while playing, but not so tight that your hand becomes tense. Please be advised, the thinner the pick, the more firmly you have to grip the pick.
And this may cause fatigue, which is a common problem with guitar players.

Also, when using thin flexible picks, they will bend when gripping too firmly.

Over time you will find the best way that suits you in holding the pick the way that suits you most whether it’s for guitar and bass guitar as well as for mandolin picks.

How to correctly a guitar pick

Pick angling and -slanting

For speeding up your pick technique, the pick could be angled slightly toward the strings, which can help it glide through the strings smoothly.

For strumming, a slight angle helps the pick glide through the strings more easily.
You may try to angle your pick both clock- and counter clockwise, whatever suits you best.

For picking individual notes, turning the pick slightly clock- or counter clockwise may help not snagging onto the strings too much. Learn more about pick slanting.

With certain (boutique) picks you don’t have to angle the pick too much, when these have beveled edges.

Beveled edges
Beveled edges

Boutique picks / Beveled edges

Most boutique picks are (a little) thicker than cheap- and flimsy standard picks, like Dunlop 0.73 – 1.00 mm picks; or any other brand.
In most cases these have edges that are tapered or so-called beveled.

These beveled edges help to glide on- and off of the strings more easily and you don’t need to angle the pick too much. This is one of the benefits of thick guitar picks in relation to thin picks.

Improve your Picking technique

Once you’ve perfected how to hold the plectrum, you can work towards improving your picking speed and accuracy with some of the tips mentioned below.

Best guitar picks for beginners

When you’re new to guitar, you might want to know what is the best guitar pick for beginners;
In another blog we wrote, you may find all things that are interesting for starters and especially which ones are the best guitar picks for beginners.

Tips for Effective Picking

  • Relax Your Hand: Avoid gripping the pick too tightly; a relaxed hand reduces tension and improves playability. Thicker picks will help gripping less firmly, because these picks have more flesh to the bone to hold on.
  • Use Your Wrist: Most of the motion should come from your wrist rather than your arm or fingers.
  • Practice Different Techniques: Practice strumming, alternate picking, and other techniques to find out what feels most comfortable on how to hold a guitar pick.

Try hybrid picking

With hybrid picking, hold the pick between thumb and index finger and use your middle- and ring finger for plucking the strings at the same volume as you pick the strings with the pick.
You might even “pluck” the strings with both your fingers to get that snappy sound country guitar players produce.

In fact, you are in chicken picking style territory of guitar playing when doing this.
Use a clean-, compressed & flashy tone with single coil pick-ups and you’re done.

Of course, people use hybrid picking in many styles of music; Richard Hallebeek did a great lesson on hybrid picking in pentatonic sequences as used in fusion guitar playing.

Picking styles

When you play a riff or the individual notes of a chord, your first instinct may be to pluck each string with a downward stroke.
While this might seem like the most straightforward approach, it’s not the best habit to fall into. This downstroke-only technique is fine at slower speeds. It can be hard to keep up once you increase the tempo.

That said, there are picking styles that are famous for downstrokes-only picking; Django Reinhardt invented a style of jazz guitar in the 1940’s, which is called Gypsy guitar.
Most of the notes and chords in this style are played with downstrokes.

Alternate picking

Now we’re at the point where alternate picking comes in. This technique encourages an economy of motion. Instead of playing each string with a downward motion, alternate between picking “down” and picking “up” each time you change notes. You will notice you can play faster with alternate picking. Another benefit of alternate picking technique is the fact you prevent yourself from fatigue.

Choose the right pick

Now that you know how to hold a guitar pick and how to pick your guitar, it is time to find the perfect pick for your needs.
In the world of guitar picks there are many different sizes, shapes and materials to choose from.

The shape of guitar picks:

  • Model 351
    For the most people, the first shape that comes to mind is the model 351. Also called the “medium” standard pick. It is available in a variety of thicknesses from 0.45 up to 3.0mm or even more. We would not recommend the extremely light versions. Everything thinner than 0.73mm feels weird and sounds bad.
  • Model 651
    If you like smaller picks, you should ask for jazz-size shaped picks. These come with pointy- and rounded tips as well. These models also called the model 651 shape of picks. The pointy tips allow you to pick notes more accurate, which in most cases is needed when you would like to perfect your picking technique.
  • Model 346
    Another popular model of guitar picks is the triangle model 346. This is a plectrum that has (mostly) 3 equal usable tips. These feel (and mostly are) bigger than all other models. Model 346 picks are easy to hold on, but it might be more challenging to pick notes more precisely.Just try some of the mentioned picks and decide which one suits you most.
Model 351 pick

Thickness of the pick

When you start searching picks on the internet, you will find them in different thicknesses.
Every thickness has its pros & cons as we mentioned earlier.

At ChickenPicks guitar picks we provide all kinds of models. All of them with the unique characteristics of ChickenPicks guitar picks.

Material

ChickenPicks guitar picks are made of Thermoset, which is a thermosetting plastic. Due to the material and beveled edges our picks are definitely different than anything else on the planet.
Thermoset is the hardest plastic you can imagine and it is almost as hard as steel.
For this reason, these picks don’t wear too much on steel (electric) guitar strings; they last longer than any other pick brand.

The mass of the pick, caused by the material and thickness, create a bright top-end, with clear mid- and beefy bottom-end tones. Besides the wider spread in the tonal spectrum, ChickenPicks guitar picks cause less picking noise. Softer picks wear faster and may cause scratchy noise by the jagged edges.

Thickness

The thinnest ChickenPicks guitar picks model is our Badazz-III 2.0. This pick is 2.0 mm thick and is extremely popular with former Jazz-III users.
The thickest at the moment is the Shredder 3.5, which is 3.5 mm thick.

Because of the thickness of our picks, they all come with the same beveled edges.
Beveled edges with boutique picks have interesting benefits as you will read here.

Available models

  • Light – 351 model in 2.2 mm
  • Regular – 351 model in 2.6 mm
  • Shredder – 351 model, but 13% smaller and available in 2.4 and 3.5 mm
  • Badazz III – 651 model (Jazz III shaped) in 2.0 , 2.5 and 3.2 mm
  • Bermuda III – 346 model triangular pick in 2.1 and 2.7 mm
  • Bermuda III-P – 346 model triangular pick with extremely pointy tips in 2.1 and 2.7 mm
  • The Bermuda III-XL – 346 model Extra Large triangular pick in 2.1 mm

Variety sets

When you’re not sure what to choose, you might buy one of our variety sets. These provide different picks to try at a discount price.
Check ‘em out here.

9-set variety guitar picks or plectrums

Nothing fancy, just high quality guitar picks

The idea behind ChickenPicks guitar picks is just their pure quality. No fancy colors nor creative design, just the highest quality in guitar picks.

How to hold a bass guitar pick

Place the pick between thumb and index finger. You may include your middle-finger as well for the 3-finger pick grip. In many cases bass guitar picks are a little bigger than standard guitar picks.

Actually, holding a guitar pick for bass isn’t that different in relation to guitar. The only thing is that you need to grip a bit more firmly. As bass guitar strings (up to 0.130-inch) are way thicker than guitar strings (on average 0.046-inch), you need to pluck them much harder than guitar strings. Read more about bass guitar picks here.

As said, you may also grip a guitar pick with 3 fingers. Actually, there is no right or wrong on how to hold a guitar pick correctly.

3-finger grip for bass

How to hold a guitar pick for metal

Bend your index finger towards the guitar strings and place the pick between your index and thumb. Hold the pick loose between your fingers, because gripping too tightly, causes too much tension. Too much tension may cause fatigue and you won’t be able to speed up your playing for a longer period. You need a heavier pick that will generate more volume by itself instead of gripping too firmly.
Besides holding a guitar pick for metal, you may need a good distortion pedal (a.k.a. fuzz pedal).
According to many people, one of the best distortion pedals could be the EHX Big Muff from Electro Harmonix.
That said, the guitar effects pedal order on your pedalboard is important for creating the sound you like most.
Read our blog about “the right pedal order”.

Grip for metal and speed.

How to hold a guitar correctly pick for speed

Bend your index finger towards the guitar strings and place the pick between your index and thumb. Hold the pick loose between your fingers, because gripping too tightly, causes too much tension. Too much tension may cause fatigue and you won’t be able to speed up your playing for a longer period.

With thinner non-beveled guitar picks, you could try to do some pick slanting. This means that you turn the pick slightly clock- or counter clockwise.
Many guitarists use small guitar picks like Jazz-III or teardrop style picks.
More info about small picks can be found here.

How to hold a guitar pick properly and strum

Place the pick between thumb and index finger. You may include your middle-finger as well for the 3-finger pick grip. Do not hold the pick too tightly. The pick may feel like it is kind of flexible. Extremely light picks could fly out of your hands when gripping very loosely.
Use a pick that is at least 1.5 – 2.0 mm thick for the best sound.

How to hold a guitar pick for acoustic

Bend your index towards the sound hole, place a pick on top and grip with your thumb.
For single note runs, you may grip a little more tightly because most acoustic guitar strings are at a thicker gauge compared to electric guitar. Read more about the best guitar picks for acoustic here.
For strumming, please check below.

How to hold a guitar pick for strumming correctly

Place the pick between thumb and index finger. You may include your middle-finger as well for the 3-finger pick grip. Do not hold the pick too tightly. The pick may feel like it is kind of flexible. Extremely light picks could fly out of your hands when gripping very loosely. Use a pick that is at least 1.5 – 2.0 mm for the best sound.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly.
Send us an e-mail and let’s talk about guitar tone and picks

Bass guitar picks

bass guitar picks

Best bass guitar picks

Many people, new to bass guitar, ask me: What is the best pick for bass guitar?
Choosing a bass guitar pick (or plectrum) depends on different factors, such as material, thickness, shape, and texture, to find the best fit for your playing style and sound preference.

Bass picks vs guitar picks

In fact, picks that only are made solely for just bass guitar, do not exist.
That’s also the case in guitar picks for acoustic or mandolin picks.

The most multifunctional product

The guitar pick is the most multifunctional product in music industry. Although, it is for guitar related products.
Whether you play rhythm or solo, acoustic, electric- or bass guitar, you may choose any pick model, thickness or material.

Is there no difference between picks?

Of course, there are several differences in picks, like extremely pointy tips opposed to rounded tips and differences in thickness and material.

In general, you might want a rounder tip for bass guitar, because you need more mass to let the strings fully ring out. Extremely pointy picks provide less volume and for bass you need a lot of power.
In general, not too pointy and it needs to be rigid in a good way.
The pick shouldn’t bend too much, because it will affect the heavy bass strings not to let ring out the way you want.

Better grip using pick grippers

Regardless the brand or shape of the pick, it remains important that your pick stays stable and does not slip or turn between your fingers. Gripperzz are specially designed for the best grip on your guitar pick. Gripperzz are small soft rubber grip stickers in the shape of a guitar pick.

Beveled- or straight edge?

Whatever you like in a pick, for bass guitar you may also want to choose the edge that fits your needs. In general, there are 2 ways to go.

Thicker picks bring strings closer to each other

The distance between the strings on a bass is much wider than with (6 string-)guitars in general.
For picking the strings more precisely, you need to minimize the distance between the strings.

This could be achieved by using a boutique thicker pick.
Although the strings won’t change distance to each other, the thick guitar pick makes it feel more comfortable to jump from string to string. This is because there is less space left with a thick guitar pick.

Less hand fatigue

According to the above-mentioned minimizing string distance, you will feel more relaxed in your picking hand and forearm.
This might also help avoiding hand fatigue, which is a problem many guitar playing people deal with.

Where to pick bass strings

A bass guitar produces extremely low bottom-end tones, so picking towards the bridge will be better. It will help in getting more punchy tones with a clear and bright sound. Finally, this may sound better in the mix when playing with a band.
Of course, this depends on the music that you play and which other instruments are in the band.
Usually there is no good or bad point of picking with bass guitar strings.

You might be interested in our blog about “how to make your guitar sound better”.

How to hold a bass guitar pick

In general, we advise to hold it between your thumb and index finger. Hold it loose with your fingers bent at the middle knuckle. It should be pointing out at a right angle to the thumb.

Best guitar picks for beginners

When you’re new to guitar, you might want to know what is the best guitar pick for beginners;
In another blog we wrote, you may find all things that are interesting for starters and especially which ones are the best guitar picks for beginners.

The rougher the music, the cleaner the bass guitar

Where guitars may sound dirty or clean with a nice edge, bass guitars in most cases sound very clean.
Just listen to several hard rock bands and you will notice a fairly clean bass sound.
Of course, there always are exceptions like the late Lemmy from Motörhead 🙂

Pick noise caused by cheap and flimsy picks

While the bass guitar sounds clean in most “musical” situations, you definitely want to avoid any form of picking noise. Pick noise can have several causes, such as jagged pick edges.
Especially with bass guitar, softer pick materials may wear fast.
The edges of your guitar pick must stay glossy during its life time, avoiding unwanted chirps.

bass guitar picks / jagged edges

Jagged edges occur with picks made out of softer materials.
This causes unwanted noises called chirp.

ChickenPicks guitar picks definitely don’t get chipped- or jagged edges because the material is extremely hard.

The hardest material available

ChickenPicks guitar picks are made of the hardest material available called “Thermoset”.
This is a thermosetting plastic which is used a lot in electronic devices and aerospace.
For more information about this unique product in music industry read our about page.

ChickenPicks guitar picks definitely won’t chip because this material is almost as hard as steel.

Bermuda III-XL 2.1 – [The bass pick]

At ChickenPicks guitar picks customers have been asking me to make typical bass guitar picks.

The model that came up to me was the old Fender large triangle pick in the thickness- and typical features of our unique picks. The pick is called the Bermuda III-XL 2.1.

It is 2.1mm thick and has beveled edges all over. This model is identical to our Bermuda III 2.1mm, but larger.

Perfect for bass, perfect for guitar as well

Although I designed the Bermuda III-XL 2.1 as a bass guitar pick, we see many people using this it for electric- and acoustic guitars as well.

So finally, is this one a specific “and only” bass guitar pick? The answer, in my opinion should be: “No”.

bass guitar picks

Which ChickenPicks guitar picks are perfect for bass?

Light 2.2: a standard 351 model guitar pick in 2.2mm
Regular 2.6: identical to the Light 2.2, but in 2.6mm thickness
Bermuda III 2.1: triangular pick with 3 rounded tips. Thickness: 2.1mm.
Bermuda III 2.7: same as 2.1 but in 2.7mm
The Bermuda III-XL 2.1: same as 2.1, but larger.

You may also like to check the measurements of all picks at the guitar pick sizes chart.
Click on image for more information.

guitar pick size chart


Small guitar picks

How to hold a guitar pick

Place the guitar pick on top of your index finger with a little less than let’s say 6mm sticking out past the fingertip. The pick is sandwiched between the thumb and the side of the index finger.
The index finger should be behind read more…

Summary

Finally, there is no good or bad pick for bass guitar. Finding out what works best for you means that you just have to check different models, -brands and -sizes.

Usually people start with thinner (cheap) picks, but you should check out thicker picks as well as they have several benefits in relation to thin picks.

For the most comfort, a thicker pick with beveled edges will do the job perfectly, also for bass guitar.

Go for harder materials in case to avoid jagged edges, avoiding pick noise.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com
Anatomy of guitar tone

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.

I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly.
Send us an e-mail and let’s talk about guitar tone and picks

Best guitar picks for acoustic

Best guitar pick for acoustic

Best high quality guitar picks for acoustic

Choosing the best guitar picks for acoustic guitar and the thickness of it, depends on personal preference, the material of the strings and the type of music you play.
However, there are some general guidelines that can help you make a decision in choosing the right pick for your acoustic guitar.

Better grip using pick grippers

Regardless the brand or shape of the pick, it remains important that your pick stays stable and does not slip or turn between your fingers. Gripperzz are specially designed for the best grip on your guitar pick. Gripperzz are small soft rubber grip stickers in the shape of a guitar pick.

Which type of acoustic guitar

First of all, let’s check what kind of acoustic guitar do you have, or do you want to buy.
That might be anything between (nylon stringed) classical, or Spanish guitar, a Western acoustic (Dreadnought, OM, Parlor etc.).
You might also think of a Flamenco guitar, a modern (hybrid) crossover, an Archtop, Django Reinhardt style jazz guitar and even a Resonator acoustic, etc. etc.

Steel strings vs nylon strings

We won’t explain all the differences between these guitars here, but it would be best if we, for now, split the guitars in steel string vs nylon stringed instruments.
Please check this website with all the types of acoustic guitars.

In general acoustic guitars should be categorized in steel string vs. nylon stringed, as said before.

Nylon

Nylon strings tend to sound warmer and rounded. The sound of nylon strings lends itself well to classical and fingerstyle playing. Classical guitarists mostly play without a guitar pick. 

Steel strings

Steel strings sound, in relation to nylon strings, bright and more articulate and the have much more sustain and volume. Sustain is the time a note rings out after plucked. Steel strings also stay in tune longer than nylon strings.

Most used steel strings

For acoustic guitars we see mostly the next 3 kinds of strings made out of steel.

Bronze

These strings mostly consist of 80% copper and 20% zinc.
These strings provide a bright sound in the first few weeks and it will mellow over time.
This makes them great for meshing with other musicians in a band, but they lack more complex overtones when playing solo. They are popular for most acoustic guitar music styles.

Phosphor bronze 

Phosphor bronze strings, or 92/8 phosphor bronze guitar strings, are like 80/20 bronze strings but with an added phosphor element that increases the string’s life. The higher amount of copper provides a warmer tone.
Great for band musicians who want a balanced and consistent tone. Even after playing several shows with the same strings.

Steel & silk 

These strings have a steel center, surrounded with silk or nylon and wind metal around it.
Silk and steel acoustic strings offer a full and balanced sound with lower tension for lighter braced instruments. Guitar players also find these to be easier to fret and they are smoother overall. 

Most used for non-steel stringed guitars

Nylon strings

Nylon is a soft, smooth material that is easy on the fingers. It delivers a mellow tone with a signature “plucking” sound. They’re an excellent choice for classical, flamenco, and folk styles of music.
Some nylon strings are wrapped in a metal composite. They offer a pronounced brightness, but they may be a bit harsher on the fingertips than plain nylon strings. 

ChickenPicks guitar picks

High quality guitar picks

Guitar picks definitely have impact on guitar tone, whether you play electric or acoustic guitar.
And maybe more important; they have to fit your needs in playability and comfort.

You can choose between cheap standard picks like Fender mediums or Dunlop or any other flimsy guitar picks.
Or you could focus on high quality guitar picks such as boutique plectrums.
These, in most cases, are thicker than the average standard pick.

Best guitar picks for beginners

When you’re new to guitar, you might want to know what is the best guitar pick for beginners;
In another blog we wrote, you may find all things that are interesting for starters and especially which ones are the best guitar picks for beginners.

Great guitar, but no high quality guitar pick

People buy expensive guitars from let’s say $1,000 – $5,000 and much more.
But they might not buy the best guitar pick for acoustic and it may not cost more than just $1.00.
In my opinion it’s like cheap tires on a $100 – $200k sportscar.

It’s worth checking out different high quality guitar picks and thicknesses on your beautiful guitar, as they can really get you a better sound and instant playing pleasure.

Of course, use what you think feels and sounds best to you. Here’s a short list of materials used for the main guitar picks on the market.

Factors to consider

  1. Material: Picks are made from various materials; each offering a different tone and feel.
    • Celluloid: Warm tone, traditional feel.
    • Nylon: Flexible, good for strumming.
    • Tortex: Durable, balanced tone.
    • Ultem: Bright tone, more durable.
    • Thermoset: Bright and balanced tone with more bottom-end, extremely durable

  2. Thickness: The thickness of the pick affects both the sound and playability.
    • Thin (0.45mm – 0.70mm): Bright tone, good for strumming. Minimal sustain. Bad for hand fatigue.
    • Medium (0.70mm – 0.85mm): Versatile, good for both strumming and picking. But bad for hand fatigue
    • Heavy (0.85mm – 1.8mm): Warm tone, good for precise picking. Mostly feels unbalanced and requires more effort to play with when using standard heavy picks.
    • Extra Heavy (2.0mm and above): Very warm tone, great for lead playing. Better grip because of the thickness and less hand fatigue.
  • Shape: Different shapes provide different comfort levels and playing techniques
    • Jazz: Smaller, pointed tip for precision. Perfect for more advanced guitar players
    • Standard 351: Most common, versatile and ergonomic grip
    • Teardrop: Smaller than standard, good for more complex playing styles
    • Triangular: Larger, easy to grip, offers multiple playing tips

Recommendations

  • For beginners: Although you could start with a standard medium thickness pick, why not start with something that will improve your playing from the start. My advice may be a standard shaped (351 model) pick with a 2.0 – 2.5mm thickness.
  • For strumming: You may go for a thinner pick (0.45mm – 0.70mm), when you just like to strum and sing with friends. It will provide a bright tone and be more forgiving when strumming chords. But if you’d like to be more precise and get some more volume out of your guitar, you could check for a thick guitar pick.
  • For solo and precision: Use a heavier pick (2.0mm and above). It provides more control and produces a warmer tone. The better- and looser grip helps avoiding hand fatigue.
Best guitar picks for acoustic

ChickenPicks guitar picks for acoustic

In fact, there is no specific guitar pick for electric- or acoustic guitar.
ChickenPicks guitar picks provides several picks that are perfect for electric- and acoustic guitar as well.

They’re made out of a thermosetting plastic called “Thermoset” which, in combination with the thickness of at least 2.0mm, provides more mass to the pick.
More mass means more tone (mid & bottom-end) on the one hand and easy to grip on the other hand.

Less fatigue

As said, thicker and heavier picks allow you to grip less firmly. As a result, there is less tension in the forearm of your picking hand, which also allows you to play faster with less effort.

Thick guitar picks have a larger gripping surface, so checking out some heavy picks, may help in finding the right pick for your needs.
To know more about the benefits of thicker guitar picks, please check the 9 reasons to consider thick guitar picks blog.
You may also be interested in how to make your guitar sound better in general.

Beveled edges

The thicker the pick, the more you will see beveled edges. These help you gliding off of the strings very easily. The sharp edges provide articulate- and accurate picking.
We have a blog about these beveled edges, which will make it easy to understand the importance and benefits of beveled edges in general.

The best pick thickness for acoustic

You may think that guitar picks have to be flexible. But for a number of reasons we say: the best pick thickness for acoustic is quite thick. The reason; the pick has to be more rigid for better tone and control.
Depending on the material, thicker picks usually are more rigid than thin picks in general.

Reasons why not to use flexible guitar picks

  • Flexible guitar picks cause delay to your playing. That should be ok with just strumming, but with playing single note lines, you don’t want that.
  • When your pick bends, you will not be able to control the movements of the pick itself.
    You cannot pick the notes accurately enough, especially when you play single note lines or solos.

A rigid pick allows you to better control the picking hand, because you control the pick and you have to grip not too tightly.
Gripping less firmly may have the same effect as a flexible pick, but now you are able to control it with the pressure of your fingers.
Read more about why most high quality guitar picks are thick and rigid.

ChickenPicks guitar picks for acoustic

  • For standard 351 model picks we’d recommend the Light 2.2 or Regular 2.6mm.
  • When you prefer triangular picks, please take a look at the Bermuda III picks.
  • And when you like these Bermuda III picks even larger, you might also like the Bermuda III-XL.
  • Of course, we offer more different picks, but talking about high quality guitar picks for acoustic, these 4 are the best in my opinion.
  • We also have variety packs, which allow you to test-drive different pick at a discounted price

Pick sizes chart

For all pick sizes and technical information, please check the pick sizes chart on our website.
Of course, most of our products are perfect as bass guitar picks as well as Mandolin picks.

How to hold a guitar pick

Place the guitar pick on top of your index finger with a little less than let’s say 6mm sticking out past the fingertip. The pick is sandwiched between the thumb and the side of the index finger.
The index finger should be behind read more…

Summary: best high quality guitar picks for acoustic

You may see the above guidelines for helping you on your way to find a good pick for acoustic guitar.best
But ultimately, the best pick is the one that feels most comfortable and sounds best to you.

It might be helpful to buy a variety pack with different materials, thicknesses, and shapes to experiment and find your perfect match.

You may always send me an email if you have any further questions about it.

What others say about ChickenPicks guitar picks

Musikhaus Thomann
Chicago Music Exchange
Guitarpickreviews.com

Guitar essentials:

In guitar essentials we write about interesting things every guitarist should know a bit of, especially when you’re new to (electric) guitar.
We definitely don’t dig deep into theories or technical aspects.
You will find many scientific documents about anything somewhere on the internet.

About the author

Hi, my name is Eppo Franken and I started to make my own picks in the mid ’80’s.
In 2010 my wife Jolanda and I started ChickenPicks guitar picks, because we’d like to see if others would enjoy them as well.
I play guitar since 1980 and my favorite style is country chicken picking and some kinds of rockabilly.
Send us an e-mail and let’s talk about guitar tone and picks 🙂